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	<title>Angelica Girardi - Cleartone</title>
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	<title>Angelica Girardi - Cleartone</title>
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		<title>CAGNONI, Filippo Morace, Angelica Girardi,   Orchestra Internationale d&#8217;Italia, Massimiliano CaldiDon Bucefalo</title>
		<link>https://www.cleartone.de/produkte/musik/musik-cds/oper-operette/cagnonidon-bucefalo/</link>
					<comments>https://www.cleartone.de/produkte/musik/musik-cds/oper-operette/cagnonidon-bucefalo/#respond</comments>
		
		<dc:creator><![CDATA[Marek Koszur]]></dc:creator>
		<pubDate>Fri, 12 Apr 2019 21:34:28 +0000</pubDate>
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					<description><![CDATA[<p>Filippo Morace - Cagnoni: Don Bucefalo</p>
<p>01. Act I - Or che il sole usci col giorno (Chorus) (7:34)<br />
02. Act I - Ah! Colui che mi dice (Rosa) (8:29)<br />
03. Act I - Oh! Come questo core (Conte) (4:49)<br />
04. Act I - Ma si ragazze mie (Don Bucefalo) (2:39)<br />
05. Act I - Io diro (Agata) (7:14)<br />
06. Act I - Ma dite: voi con Rosa (Carlino) (2:23)<br />
07. Act I - Fra gli scogli e la procella (Rosa) (8:07)<br />
08. Act II - Qui congregati e inosservati (Chorus) (4:24)<br />
09. Act II - Ingrata fantasia! Tu m'abbandoni! (Don Bucefalo) (9:59)<br />
10. Act II - Chi mi ha tolto (Rosa) (3:03)<br />
11. Act II - E permesso? (Don Marco) (2:08)<br />
12. Act II - Ai riguardi io do un addio (Carlino) (6:13)<br />
13. Act II - Ah traditor! (Carlino, Don Bucefalo) (3:07)</p>
<p>CD 2<br />
1 Act III: No, non serve altro (Don Marco) 01.05<br />
2 Act III: Ma vedi se davvero (Agata) 05.14<br />
3 Act III: Non fuggirmi, mio ben (Conte, Rosa) 08.47<br />
4 Act III: Servo di lor, signori professori (Don Bucefalo) 02.06<br />
5 Act III: Trai, trai, trai (Don Bucefalo) 04.29<br />
6 Act III: Grazie, grazie, miei cari (Don Bucefalo) 01.04<br />
7 Act III: O colli nativi! (Chorus) 02.35<br />
8 Act III: Signor vincemmo! (Don Bucefalo, Don Marco) 03.34<br />
9 Act III: Son rimasta (Rosa, Conte, Don Marco, Don Bucefalo) 01.36<br />
10 Act III: Dunque ingrata! (Carlino, Rosa) 02.03<br />
11 Act III: D'ineffabile contento (Rosa) 04.27 {{soundFile=http://www.ccd.pl/sample/CDS634/02.mp3,http://www.ccd.pl/sample/CDS634/05.mp3,http://www.ccd.pl/sample/CDS634/08.mp3,http://www.ccd.pl/sample/CDS634/10.mp3,http://www.ccd.pl/sample/CDS634/12.mp3&#38;titles=02. Act I - Ah! Colui che mi dice (Rosa) (8:29),05. Act I - Io diro (Agata) (7:14),08. Act II - Qui congregati e inosservati (Chorus) (4:24),10. Act II - Chi mi ha tolto (Rosa) (3:03),12. Act II - Ai riguardi io do un addio (Carlino) (6:13)}}</p>
<p>Artykuł <a href="https://www.cleartone.de/produkte/musik/musik-cds/oper-operette/cagnonidon-bucefalo/">CAGNONI, Filippo Morace, Angelica Girardi,   Orchestra Internationale d&#8217;Italia, Massimiliano Caldi&lt;br/&gt;Don Bucefalo</a> pochodzi z serwisu <a href="https://www.cleartone.de">Cleartone</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Don Bucefalo Filippo Morace<br />
Rosa Angelica Girardi<br />
Il Conte di Belprato Francesco Marsiglia<br />
Agata Mizuki Date<br />
Gianetta Francesca De Giorgi<br />
Carlino Massimiliano Silvestri<br />
Don Marco Graziano De Pace</p>
<p>Conductor<br />
Massimiliano Caldi</p>
<p>Orchestra<br />
Italian International Orchestra</p>
<p>Chorus<br />
Slovak Chamber Choir</p>
<p>Don Bucefalo was first staged on 28th June 1847 at the Milan Conservatory, as the final test of the nineteen-year-old Antonio Cagnoni (1828-1896)<br />
This was his third opera (after Rosalia di San Miniato and I due Savoiardi), but the first to bring him success. Critics of the time saw in him &#8222;the germ of lively, vivid, spontaneous wit&#8220; and hoped that he would find a far-sighted impresario, willing to invest in order to open up for him &#8222;the path to a public theatrical career&#8220;.<br />
Indeed, after its &#8222;première&#8220; in Milan, Don Bucefalo was performed again in various theatres both in Italy and abroad; it won success wherever it was staged and led Ricordi to buy the rights to the opera.<br />
Don Bucefalo adopts all the formulas of the comic genre (from its vocal roles to its structures, to the writing of recitative and &#8222;spoken&#8220; passages, to the arrangement of instrumentation), it is certainly part of the tradition but at the same time makes fun of it, manipulates it by intervening in all its fields: tempi, rhythms, vocal styles. The opera thus appears as a synthesis and as a step beyond the stereotypes of contemporary comic opera.</p>
<p>Artykuł <a href="https://www.cleartone.de/produkte/musik/musik-cds/oper-operette/cagnonidon-bucefalo/">CAGNONI, Filippo Morace, Angelica Girardi,   Orchestra Internationale d&#8217;Italia, Massimiliano Caldi&lt;br/&gt;Don Bucefalo</a> pochodzi z serwisu <a href="https://www.cleartone.de">Cleartone</a>.</p>
]]></content:encoded>
					
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