The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of DECCA classics title that has been mainstays of the catalog since its initial release on LP, until the present digital age of CD. This new audio version feature newly remastered DSD master.

ESOTERIC equipment used for re-mastering

The criterion of re-mastering is to faithfully capture the quality of the original master tapes. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master tapes.

Experience by yourself…

Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.

Nakład każdego tytułu to 1000 egzemplarzy w skali światowej. Płyty nie są wznawiane. Stanowią niezwykle poszukiwany i pożądany cel kolekcjonerów z całego świata.

Cast
Don Giovanni – giovane cavaliere estremamente licenzioso – Samuel Ramey (Baritone)
Il Commendatore – Paata Burchuladze (Bass)
Donna Anna sua figlia, dama promessa sposa di Don Ottavi – Anna Tomowa-Sintow (Soprano)
Don Ottavio – Gösta Winbergh (Tenor)
Donna Elvira – dama di Burgos, abbandonata da Don Giovanni – Agnes Baltsa (Mezzo-Soprano)
Leporello – servo di Don Giovann – Ferruccio Furlanetto (Bass)
Zerlina contadina – Kathleen Battle (Soprano)
Masetto amante di Zerlina – Alexander Malta (Bass)

Chor der Deutschen Oper Berlin
Chorus Master: Walter Hagen-Groll
Harpsichord: Jeffrey Tate

Berliner Philharmoniker
Conducted by Herbert von Karajan

Production: Günther Breest
Coordination: Claudia Hamann
Recording Supervision: Michel Glotz / Werner Mayer
Tonmeister (Balance Engineer): Günter Hermanns
Editing: Reinhild Schmidt
Recorded: 21-28 January 1985, Philharmonie, Berlin
Re-mastering
Producer: Motoaki Ohmachi (ESOTERIC COMPANY)
Mastering Engineer: Kazuie Sugimoto (JVC Mastering Center Daikanyama Studio)

Artykuł MOZART <br />Don Giovanni <br />Samuel Ramey, Anna Tomowa-Sintow, <br />Agnes Baltsa, Kathleen Battle <br />Berliner Philharmoniker <br />Herbert von Karajan pochodzi z serwisu Cleartone.

The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of historical recording selections that have been mainstays of the catalog since their initial release.
These new audio versions feature ESOTERIC’s proprietary re-mastering process to achieve
the highest level of sound quality.

Experience by yourself…

Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.

ESOTERIC equipment used for re-mastering The criterion of re-mastering is to faithfully capture the quality of the original master. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model Grandioso G1 and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session.
This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master.

Der Rosenkavalier

Die Feldmarschallin Fürstin Werdenberg: Anna Tomowa-Sintow (Soprano)
Der Baron Ochs auf Lerchenau: Kurt Moll (Bass)
Octavian, genannt Quinquin, ein junger Herr aus grossem Haus: Agnes Baltsa (Mezzo-Soprano)
Herr von Faninal, ein reicher Neugeadelter: Gottfried Hornik (Baritone)
Sophie, seine Tochter: Janet Perry (Soprano)
Jungfer Marianne Leitmetzerin, die Duenna: Wilma Lipp (Soprano)
Valzacchi, ein Intrigant: Heinz Zednik (Tenor)
Annina, seine Begleiterin: Helga Müller-Molinari (Mezzo-Soprano)
Ein Polizeikommissar: Victor von Halem (Bass)
Der Haushofmeister bei der Feldmarschallin: Kurt Equiluz (Tenor)
Der Haushofmeister bei Faninal: Franz Kasemann (Tenor)
Ein Notar: Carlos Feller (Bass)
Ein Wirt: Karl Terkal (Tenor)
Ein Sänger: Vinson Cole (Tenor)
Sung in German
Konzertvereinigung Wiener Staatsopernchor
Chorus Master: Helmut Froschauer

Artykuł STRAUSS R. <br />Der Rosenkavalier <br />Anna Tomowa-Sintow <br />Agnes Baltsa <br />Kurt Moll <br />Wiener Philharmoniker <br />Herbert von Karajan pochodzi z serwisu Cleartone.