Royal Concertgebouw Orchestra,
conducted by Bernard Haitink
(Mendelssohn: Violin Concerto in E minor, Op. 64)

Orchestre des Concerts Lamoureux,
conducted by Manuel Rosenthal
(Saint-Saëns: Havanaise, Op. 83 and Lalo: Symphonie espagnole in D minor, Op. 21)

<font color=maroon>Classical masterpiece collection

The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of historical recording selections that have been mainstays of the catalog since their initial release.
These new audio versions feature ESOTERIC’s proprietary re-mastering process to achieve
the highest level of sound quality.

Experience by yourself…

Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.

ESOTERIC equipment used for re-mastering The criterion of re-mastering is to faithfully capture the quality of the original master. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model Grandioso G1 and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session.
This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master</font>

Artykuł MENDELSSOHN, SAINT-SAENS, LALO<br />Violinkonzert / Havanaise / Symphonie espagnole<br /> Arthur Grumiaux, Royal Concertgebouw Orchestra, Bernard Haitink, Manuel Rosenthal pochodzi z serwisu Cleartone.

RECORDING INFORMATION
Recorded at La Chaux-de-Fonds, Switzerland
1981/4 (K./KV 301, 376, 454); 1981/5 (K./KV 302, 304, 526);1981/9 (K./KV 305, 360, 377); 1982/5 (K./KV 296, 303, 378);1982/9 (K./KV 379, 380); 1983/9 (K./KV 306, 481).

Arthur Grumiaux and Walter Klien offer playing with spring in its step and a lyrical yet unsentimental warmth in the slow movements, though that of K296 might with advantage have lingered a little more. These are stylish artists who are also eloquent in the unusually wistful Andante con moto of K380… Perhaps a touchstone for Grumiaux’s qualities is the great slow movement of K454, where he is sensitive to the extraordinary harmonic design and yet over-reliant on the same tricks of tone-colour to project it. – The Gramophone Magazine

Artykuł MOZART<br />The Great Sonatas for Piano and Violin<br />Arthur Grumiaux, Walter Klien pochodzi z serwisu Cleartone.

„Telemann’s invention is fresh and his idiom varied and I often felt while listening to these pieces that they offered more of interest to the performer than his violin concertos… For the most part Grumiaux plays the Fantasies with the sympathy and insight which we expect. Purists will be bothered from time to time by the presence of a vibrato which would have no place in a strictly ‘baroque’ performance; just occasionally, too, I was aware of an awkwardness of phrasing and of insecure intonation but these did not prevent me from enjoying a recital of some less familiar music by a composer who is a great favourite of mine. A most interesting release.“ – Gramophone

Artykuł TELEMANN<br /> Fantasie per violino solo / 12 Fantasien <br />Arthur Grumiaux pochodzi z serwisu Cleartone.

Esoteric Equipment Used for Remastering
The criterion of remastering is to faithfully capture the quality of the original master. ESOTERIC?s flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this remastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master.

Experience by Yourself…
Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the ?soul? hidden within the notes, but never before found in previously released recordings in any format.

Nakład każdego tytułu to 1000 egzemplarzy w skali światowej. Płyty nie są wznawiane. Stanowią niezwykle poszukiwany i pożądany cel kolekcjonerów z całego świata.

Artykuł MOZART <br />Violin Concerto No. 3 in G major, K. 216 / Violin Concerto No. 5 in A major, K. 219 / Sinfonia concertante<br />Arthur Grumiaux, Sir Colin Davis, The London Symphony Orchestra pochodzi z serwisu Cleartone.