Bei diesem Titel handelt es sich um eine SHM-SACD. Dieses Format ist die Weiterentwicklung der Single-Layer-SACD und verwendet einen besonders lichttransparenten Kunststoff (Super High Material). Durch ihn wird eine deutlich bessere Auslesbarkeit der Pit-Land-Strukturen auf der Oberfläche erreicht als bei Hybrid-SACDs möglich. Die SHM-SACDs von Universal werden generell von den Masterbändern der Alben ohne Veränderungen neu in DSD digitalisiert. SHM-SACDs können auf jedem SACD-Spieler wiedergegeben werden. Bitte verwenden Sie weder L’Art du Son noch alkoholbasierte Reinigungsmittel. – Achtung: Alle Titel werden von Universal Music als Sammlerstücke in Limited Edition für den japanischen Markt konzipiert.

Artykuł WEBER, BERLIOZ, LISZT, SMETANA, DVORAK <br />Invitation to the Dance <br />Berliner Philharmoniker <br />Herbert von Karajan pochodzi z serwisu Cleartone.

Artykuł BEETHOVEN, BRAHMS, BERLIOZ, HEROLD <br />Toscanini plays your favorites <br />NBC Symphony Orchestra <br />Arturo Toscanini pochodzi z serwisu Cleartone.

EMI had recorded Orchestre National de France (also known as Orchestre National de l’Office de Radiodiffusion Télévision Française (ORTF)) for many years under its chief conductor Jean Martinon. However, largely as a result of the concerts he gave at the time, Bernstein immediately struck up a rapport with the orchestra and the result was magic: “The French orchestra play beautifully for Bernstein, and they also sense the ebb and flow of tempo which he imparts to the music.” as the GRAMOPHONE wrote in 1977.

Recorded in the famous Salle Wagram, Paris, the Berlioz Fantastique was produced and engineered by John Mordler and Paul Vavasseur respectively.

In the original 1977 review of the Mussorgsky John Warwick in the GRAMOPHONE wrote:
„This is excellent… One necessary ingredient of a true performance of the Fantastic Symphony is the sense of virtuoso conductor responding to virtuoso composer; but Bernstein also holds fast to the essential point that the virtuosity is of imagination as well as expression… I would regard this as the most interesting performance of the symphony now on record. It has a character individually its own; it is reflective and exhilarating; it is exquisitely played; it is sensitively recorded.“

Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS80 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional playback head.
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Artykuł BERLIOZ<br />Symphonie Fantastique Op. 14<br />Leonard Bernstein, Orchestre National de France pochodzi z serwisu Cleartone.

That charisma which allowed him to use at the best all the resources of the orchestras he collaborated with. The CD features the Austrian conductor in the role of popularizer of the wide symphonic repertoire.

A role that was probably particularly congenial to him and that IDIS wants to pay tribute to it by entitling this ultimate release ”Karajan Spectacular”.

Artykuł BERLIOZ, LISZT, STRAUSS R., TCHAIKOVSKY, Wiener Philharmoniker, Herbert von Karajan<br/>Karajan Spectacular pochodzi z serwisu Cleartone.