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CLASSIC FM MAGAZINE DISC OF THE MONTH
CHOC DE LA MONDE DE LA MUSIQUE

‚The Orchestra della Svizzera Italiana is finely honed and the rapport is evident, with unfailingly fine and musicianly playing‘ (Gramophone)

‚Performances of the symphonies that are ultra-clean, pleasingly joyous and straightforwardly entertaining‘ (Classic FM Magazine)

‚The orchestra is very well caught by the engineers, with ample bloom and no unnecessary or false highlighting of instruments. There is an excellent booklet by the ever-reliable Haydn expert Richard Wigmore and, best of all, Hyperion are offering the set at budget price, a little over £20.00 for four discs. I also like the fact that the works are all laid out in numbered order across the discs, unlike Bruggen and Davis, where the sequence is split up for some reason. The Davis cycle is cheaper and still an obvious rival but the sound is not as rich or detailed, and the Bruggen appears unavailable at present. It is a very crowded market but I reckon Hyperion deserve to do well with this one‘ (MusicWeb.com)

‚Sa splendide intégrale des Londoniennes … Ces interprétations dégagent une extraordinaire vitalité‘ (Le Monde de la Musique, France)

Artykuł HAYDN <br />The London Symphonies <br />Howard Shelley <br />Orchestra Della Svizzera Italiana pochodzi z serwisu Cleartone.

‚The articulation of Susan Tomes and her colleagues is alert and imaginative, with a ‚period-instrument‘ feel for texture, effortlessly capturing Haydn’s mercurial wit‘ (Sunday Times)

‚Tomes and her partners identify themselves fully with the emotional scale of the works … There is so much from the Florestan to stop us in our tracks … a very special disc, recorded in detailed, front-row sound‘ (Gramophone) ‚These are altogether lively and alert performances, with repeats imaginatively varied, and a real feel for the subtle balance of the music‘ (BBC Music Magazine)

‚Four of Haydn’s later trios, including the familiar ‚Gypsy Rondo‘, are played here by the Florestan Trio with a captivating grace‘ (The Observer)

‚What comes through vividly here is Haydn’s capacity to surprise; and the discovery of the music is in listening to them. Suffice it to say that the music’s essential grace, lightness and sparkle is affectionately captured by the members of The Florestan Trio, who are also alive to the musical and emotional diversions that Haydn imaginatively and wittily incorporates … With excellent recorded sound and an illuminating booklet note by Robert Philip, this release offers much joy‘ (ClassicalSource.com)

‚It is a pleasure to hear the Florestans strike their expected and convincing balance. They are a Haydnesque ensemble in the very best sense‘ (Positive Feedback, USA)

‚This first volume in a projected series of the complete Haydn piano trios promises many future delights. The performances are, by and large, excellent… kudos particularly are in order for pianist Susan Tomes. These are keyboard works first and foremost, and she leads with great sensitivity and elegance‘ (ClassicsToday.com, USA)

‚The Florestan is the ultimate in gentility and grace… the playing, interpretation, and recorded sound are perfection; every note, every phrase, every balance is beyond criticism‘ (Fanfare, USA)

‚It would be hard to find crisper performances of Haydn’s piano trios. The Florestan Trio is not a period instrument ensemble, but it never makes us wish it were, for these musicians don’t play Haydn as if it were Beethoven or Schubert. The interpretations are articulate, stylish and vivid; accents spit and tingle; and passagework whizzes sharp and serrated as a saw blade. They take risks: Some fast movements move at blistering speeds, and the exaggerated upbeats and shifts in tempo make their free-wheeling Gypsy Rondo sound like the real thing. Slow movements sing, and the balance – so crucial in these trios – is heavenly‘ (Canada Globe & Mail)

Artykuł HAYDN <br />Piano Trio in D major, Hob XV:24 <br />The Florestan Trio pochodzi z serwisu Cleartone.

Orchestra da Camera Italiana
Orchestra da Camera Roma Classica
Eduardo Belotti – organ
Capelle Musicale di San Marco
I Filarminici di Roma
Giacomo Franci – piano
Salvatore Accardo – violin

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Artykuł BEETHOVEN, HAYDN, BACH, PAGANINI <br />Trip <br />Orchestra da Camera Italiana <BR /> Salvatore Accardo pochodzi z serwisu Cleartone.

The reissue of classical music masterpieces by ESOTERIC has attracted a lot of attention, both for its uncompromising commitment to recreating the original master sound, and for using hybrid Super Audio CD (SACD) technology to improve sound quality. This series marks the first hybrid SACD release of historical recording selections that have been mainstays of the catalog since their initial release.
These new audio versions feature ESOTERIC’s proprietary re-mastering process to achieve
the highest level of sound quality.

Experience by yourself…

Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.

ESOTERIC equipment used for re-mastering The criterion of re-mastering is to faithfully capture the quality of the original master. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model Grandioso G1 and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session.

This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master

Artykuł HAYDN <br />Symphonies Nos.: 88, 92 ‚Oxford‘, 94 ‚Suprise‘, 96 ‚Miracle‘, 100 ‚Military‘, 101 ‚The Clock‘, 103 ‚Drum Roll‘, 104 ‚London‘ <br />Orchestra of the 18th Century <br /> Frans Bruggen pochodzi z serwisu Cleartone.

Bei diesem Titel handelt es sich um eine SHM-SACD. Dieses Format ist die Weiterentwicklung der Single-Layer-SACD und verwendet einen besonders lichttransparenten Kunststoff (Super High Material). Durch ihn wird eine deutlich bessere Auslesbarkeit der Pit-Land-Strukturen auf der Oberfläche erreicht als bei Hybrid-SACDs möglich. Die SHM-SACDs von Universal werden generell von den Masterbändern der Alben ohne Veränderungen neu in DSD digitalisiert. SHM-SACDs können auf jedem SACD-Spieler wiedergegeben werden. Bitte verwenden Sie weder L’Art du Son noch alkoholbasierte Reinigungsmittel. – Achtung: Alle Titel werden von Universal Music als Sammlerstücke in Limited Edition für den japanischen Markt konzipiert.

Artykuł HAYDN <br />Symphony No. 103 ‚Drum Roll‘ / Symphony No. 104 ‚London‘ / Symphony No. 7 in A major, op. 9 <br />Wiener Philharmoniker <br />Herbert von Karajan pochodzi z serwisu Cleartone.

Artykuł SCARLATTI, RAMEAU, PURCELL, HAYDN, Andreas Segovia<br/>The Baroque Repertoire (1939-1952) pochodzi z serwisu Cleartone.