HUBAY - Cleartone https://www.cleartone.de/produkte-schlagwort/hubay/ Cleartone Sat, 06 May 2023 20:37:14 +0000 de hourly 1 https://wordpress.org/?v=6.9.4 https://www.cleartone.de/wp-content/uploads/2018/01/cropped-cropped-logo_cleartone-512_512-32x32.jpg HUBAY - Cleartone https://www.cleartone.de/produkte-schlagwort/hubay/ 32 32 HUBAY Scenes de la csárda Hagai Shaham Arnon Erez https://www.cleartone.de/produkte/musik/musik-cds/kammermusik-cd/scenes-de-la-csarda/ https://www.cleartone.de/produkte/musik/musik-cds/kammermusik-cd/scenes-de-la-csarda/#respond Sat, 25 Jul 2020 20:05:20 +0000 https://www.cleartone.de/produkte/bez-kategorii/scenes-de-la-csarda/
  • Contents:
  • Compact Disc 1 . 77'20
  • 1. Scenes de la csárda No 1 Op 9 1879 [3'19]
  • 2. No 2 ‘My little flute’ Op 13 1880–1881 [10'32]
  • 3. No 3 ‘The waters of Maros’ Op 18 1882–1883 [6'37]
  • 4. No 4 ‘Hejre Kati’ Op 32 1882–1886 [5'46]
  • 5. No 5 ‘The Wavy Balaton’ Op 33 1887 [5'27]
  • 6. No 6 ‘The yellow beetle’ Op 34 1887 [6'31]
  • 7. No 7 ‘Kossuth’s melody’ Op 41 1891 [8'38]
  • 8. No 8 ‘So they say’ Op 60 1896 [10'20]
  • 9. No 9 ‘Czinka Panna’s Tune’ Op 65 1896 [9'23]
  • 10. No 10 ‘Memoirs from Szalatna’ Op 69 1897–1898 [10'19]
  • Compact Disc 2 . 72'44
  • 1. No 11 ‘The willow’s withered branch’ Op 82 1900 [7'43]
  • 2. No 12 ‘My little turtle dove’ Op 83 1898 [7'39]
  • 3. No 13 Op 102 1909 [11'41]
  • 4. No 14 ‘On the themes of Lavotta’ Op 117 1920 [12'05]
  • Po?mes hongrois Op 27 1885
  • 5. No 1 in D minor [3'39]
  • 6. No 2 in D major [1'24]
  • 7. No 3 in A major [2'02]
  • 8. No 4 in A minor [1'37]
  • 9. No 5 in B flat major [2'00]
  • 10. No 6 in B flat major [2'08]
  • Nouveaux po?mes hongrois Op 76 1899
  • 11. No 1 in C major [3'54]
  • 12. No 2 in E major [2'00]
  • 13. No 3 in B minor [4'12]
  • 14. No 4 in A major [3'50]
  • 15. No 5 in F major [3'38]
  • 16. No 6 in D minor [2'26]

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    Artykuł HUBAY <br />Scenes de la csárda <br />Hagai Shaham <br />Arnon Erez pochodzi z serwisu Cleartone.

    ]]>     These generously filled CDs present sparkling performaces of Hubay’s epic Sc?nes de la csárda alongside his two sets of Poemes hongrois and provide their first complete recording.

    The Scenes are in the tradition of Liszt’s Hungarian Rhapsodies, Brahms’s Hungarian Dances and Sarate’s Zigeunerweisen, and reflect the nineteenth century’s fondness for romanticized gypsy music as a worthy source of entertainment in middle-class salons and at aristocratic balls. Written over a period of some forty years, these fourteen perfectly crafted showpieces are dedicated individually to many of the period’s most influential figures, several famous violin virtuosi among them. Passionate melodies and furious violinistic pyrotechnics combine to make this set into a classic of the genre.

    Hubay’s two sets of Po?mes hongrois, written in 1885 and 1899 respectively, take further folk-like melodies and transform them into highly elaborate miniatures every bit as worthy of exploration as their more glamorous cousins, the Sc?nes.

    A comprehensive booklet includes music examples illustrating each of the innumerable melodies used by Hubay.

    TOP RECOMMENDATION (CHAMBER) (BBC Music Magazine)

    ‚If ever there were a case of ‚the singer, not the song‘ it’s here with these Sc?nes de la Csârda, attractive music played with the sort of heart-tugging abandon that many of us only know from old 78s. A happy tale from start to finish, kitsch of the highest order served with style and panache by Shaham and his excellent pianist Arnon Erez. With comprehensive annotation by Amnon Shaham and first rate production by Eric Wen (a fine violinist and teacher) this seems set to become a benchmark recording‘ (Gramophone)

    ‚It’s music that needs passionate advocacy if it’s not to sound trite, and Hagai Shaham, who’s already made an outstanding disc of two of Hubay’s Violin Concertos, has it in his soul‘ (BBC Music Magazine)

    Review at ClassicalSource.com

    ‚Scenes de la Csârda could certainly be one of the records of the year‘ (classicalsource.com)

    ‚Voici sans doute le plus bel hommage rendu au p?re fondateur de l’école hongroise de violon… Un répertoire rare, servi de magistrale façon.‘ (Diapason)

    Artykuł HUBAY <br />Scenes de la csárda <br />Hagai Shaham <br />Arnon Erez pochodzi z serwisu Cleartone.

    ]]>     https://www.cleartone.de/produkte/musik/musik-cds/kammermusik-cd/scenes-de-la-csarda/feed/ 0     HUBAY Violin Concertos 3 & 4 Hagai Shaham BBC Scottish Symphony Orchestra Martyn Brabbins https://www.cleartone.de/produkte/musik/musik-cds/klassik-cd/violin-concertos-3-4/ https://www.cleartone.de/produkte/musik/musik-cds/klassik-cd/violin-concertos-3-4/#respond Sat, 25 Jul 2020 20:01:16 +0000 https://www.cleartone.de/produkte/bez-kategorii/violin-concertos-3-4/
  • Violin Concerto No 3 in G minor, Op 99
  • 1 Movement 1: Introduction quasi fantasia. Moderato [5'16]
  • 2 Movement 2: Scherzo. Presto [4'20]
  • 3 Movement 3: Adagio, moderato [10'15]
  • 4 Movement 4: Allegro con fuoco [9'00]
  • Variations sur un thème hongrois, Op 72
  • 5 Movement 01: Introduction. Molto moderato [2'38]
  • 6 Movement 02: Theme. Adagio [1'03]
  • 7 Movement 03: Variation 1. Un poco più vivo [0'44]
  • 8 Movement 04: Variation 2. Animato [0'36]
  • 9 Movement 05: Variation 3. Allegro [0'32]
  • 10 Movement 06: Variation 4. Moderato [0'51]
  • 11 Movement 07: Variation 5. Adagio non troppo [0'48]
  • 12 Movement 08: Variation 6. Poco animato [1'27]
  • 13 Movement 09: Variation 7. Moderato [0'33]
  • 14 Movement 10: Variation 8. Andante con moto [0'44]
  • 15 Movement 11: Variation 9. Allegro moderato [0'19]
  • 16 Movement 12: Variation 10. Allegro molto [0'40]
  • 17 Movement 13: Variation 11. L'istesso tempo [0'38]
  • 18 Movement 14: Cadenza [2'30]
  • 19 Movement 15: Theme. Grave [1'32]
  • Violin Concerto No 4 in A minor 'All'antica', Op 101
  • 20 Movement 1: Preludio. Largo [6'31]
  • 21 Movement 2: Corrente e musette. Presto [3'36]
  • 22 Movement 3: Larghetto, adagio [8'13]
  • 23 Movement 4: Finale e capriccio. Allegro [5'32]

    • {{soundFile=http://www.ccd.pl/sample/CDA67367/01.mp3,http://www.ccd.pl/sample/CDA67367/02.mp3,http://www.ccd.pl/sample/CDA67367/03.mp3&titles=1 1 Movement 1: Introduction quasi fantasia. Moderato [5'16],2 Movement 2: Scherzo. Presto [4'20],3 Movement 3: Adagio, moderato [10'15] }}

    Artykuł HUBAY <br />Violin Concertos 3 & 4 <br />Hagai Shaham <br />BBC Scottish Symphony Orchestra <br />Martyn Brabbins pochodzi z serwisu Cleartone.

    ]]>     The Romantic Piano Concerto series (currently at volume 31) has become one of Hyperion’s most popular projects to date, and this disc should help guide The Romantic Violin Concerto series to similar critical acclaim. Hubay’s 3rd concerto mirrors the format of the piano concertos of Liszt (with whom he studied composition) in that it is performed without a break between the movements. The 4th concerto adheres to a more traditional baroque format regarding structure, melody and harmony, hence it’s title. The third work on the disc comprises a theme and twelve variations. All three works are virtuosic display pieces comparable to the concertos of Wieniawski and Vieuxtemps, and call for much pyrotechnics from the soloist. Hubay is widely acknowledged as the founder of the ‘Hungarian school’ of violin playing. His list of prodigies includes the virtuoso violinist Ilona Fehér who went on to teach Hagai Shaham. The sonorous, round and broad tone that is the main beauty of the Hubay-school is unmistakable in Shaham’s performance here, making this a stunning first recording for Hyperion.

    ————————————

    PICK OF THE MONTH (CONCERTO) (The Strad)
    TOP RECOMMENDATION (ORCHESTRAL) (BBC Music Magazine)

    ‚This third volume in Hyperion’s Romantic Violin Concerto series may make you wonder why Hubay’s Third Concerto has escaped the attention of virtually every fiddle player from Heifetz to Hahn. If, like me, you’re a sucker for lashings of blistering virtuosity, strong, well-contrasted melodic content, and a substantial orchestral contribution, I promise that you will not be disappointed‘ (BBC Music Magazine)

    ‚This essentially fun record could have gone for nothing without the superb playing of the BBC Scottish Symphony Orchestra under the redoubtable Martyn Brabbins, Andrew Keener’s top-notch production values and, most especially, the jaw-dropping virtuosity of Hagai Shaham. Whatever Hubay throws at him, Shaham negotiates it with apparently nonchalant ease and invariably spotless intonation‘ (The Strad)

    ‚These last two of Hubay’s four violin concertos make a most attractive addition to Hyperion’s emergent series of Romantic violin concertos … The Israeli soloist Hagai Shaham has the advantage of having been taught by one of Hubay’s pupils, Ilona Feher. Not only does he relish the Hungarian inflections in a winningly idiomatic way, he plays with an ethereal purity in the many passages of stratospheric melody. As so often, Martyn Brabbins proves a most sympathetic partner, drawing committed playing from the BBC Scottish Symphony Orchestra, helped by beautifully balanced, cleanly focused recording‘ (Gramophone)

    ‚Shaham, who has no competition in these two works, plays them with great stylistic authority, providing all the dash the showy but never meretricious parts require‘ (Fanfare, USA)

    ‚Hagai Shaham offers a deftly turned, heartfelt performance … The orchestral contribution is a winning ace‘ (International Record Review)

    ‚an outstanding violinist‘ (The Guardian)

    ‚glowing, flamboyant renditions‘ (Classic FM Magazine)

    ‚Shaham’s combination of grace, wit, and ardency, well supported by Brabbins, shows Hubay’s lightweight romanticism in its best light‘ (Irish Times)

    ‚Le violoniste israélien Hagai Shaham … en propose une vision pleine de panache au style exemplaire‘ (Diapason, France)

    ‚Hagai Shaham plays like a major virtuoso … and genuinely seems to be enjoying himself with this beautifully crafted music … Hubay was a composer of substance, and this disc makes a very strong case for him. Do try to hear it‘ (ClassicsToday.com)

    ‚Hagai Shaham plays like a foremost virtuoso, performing with total equanimity, managing the most difficult passages, which flow from his instrument with ease, and backed by an orchestra on top form‘ (Hi-Fi Plus)

    ‚The Hungarian’s Third Violin Concerto is a masterly exercise in the vein of Mendelssohn, complete with passages of astonishing virtuoso display, which the soloist Hagai Shaham accomplishes m suitably florid style. The 11 Hungarian Variations and the „Antique“ Fourth Concerto make similarly exciting listening‘ (The Independent)

    Artykuł HUBAY <br />Violin Concertos 3 & 4 <br />Hagai Shaham <br />BBC Scottish Symphony Orchestra <br />Martyn Brabbins pochodzi z serwisu Cleartone.

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