La Ghirlanda Mosicale - Cleartone https://www.cleartone.de/produkte-schlagwort/la-ghirlanda-mosicale/ Cleartone Sat, 13 Apr 2019 06:47:38 +0000 de hourly 1 https://wordpress.org/?v=6.9.5 https://www.cleartone.de/wp-content/uploads/2018/01/cropped-cropped-logo_cleartone-512_512-32x32.jpg La Ghirlanda Mosicale - Cleartone https://www.cleartone.de/produkte-schlagwort/la-ghirlanda-mosicale/ 32 32 MAZZAFERRATA, La Ghirlanda MosicaleIl Primo Libro Delle Sonate A 2Due Violini Op. 5 https://www.cleartone.de/produkte/musik/klasik/mazzaferratail-primo-libro-delle-sonate-a-2due-violini-op-5/ https://www.cleartone.de/produkte/musik/klasik/mazzaferratail-primo-libro-delle-sonate-a-2due-violini-op-5/#respond Sat, 13 Apr 2019 06:47:38 +0000 https://www.cleartone.de/?post_type=product&p=15309 La Ghirlanda Mosicale - Mazzaferrata Violin Sonatas Opus 5 [1674]

01. Sonata II, Opus 5 - I. Largo (1:23)
02. Sonata II, Opus 5 - II. Presto (1:11)
03. Sonata II, Opus 5 - III. Vivace (0:38)
04. Sonata II, Opus 5 - IV. Vivace (0:37)
05. Sonata III, Opus 5 - I. Allegro (1:11)
06. Sonata III, Opus 5 - II. Adagio (1:44)
07. Sonata III, Opus 5 - III. Allegro (1:14)
08. Sonata III, Opus 5 - IV. Allegro (0:48)
09. Sonata I, Opus 5 - I. Largo (0:57)
10. Sonata I, Opus 5 - II. Presto (1:33)
11. Sonata I, Opus 5 - III. Adagio (1:06)
12. Sonata I, Opus 5 - IV. Presto (1:29)
13. Sonata IV, Opus 5 - I. Without tempo indication (1:58)
14. Sonata IV, Opus 5 - II. Allegro (0:45)
15. Sonata IV, Opus 5 - III. Adagio (1:25)
16. Sonata IV, Opus 5 - IV. Presto (1:00)
17. Sonata V, Opus 5 - I. Without tempo indication (0:49)
18. Sonata V, Opus 5 - II. Presto (1:13)
19. Sonata V, Opus 5 - III. Adagio (1:44)
20. Sonata V, Opus 5 - IV. Allegro (0:39)
21. Sonata VI, Opus 5 - I. Allegro (1:23)
22. Sonata VI, Opus 5 - II. Allegro (0:27)
23. Sonata VI, Opus 5 - III. Largo (1:26)
24. Sonata VI, Opus 5 - IV. Vivace (1:14)
25. Sonata VII, Opus 5 - I. Largo (3:17)
26. Sonata VII, Opus 5 - II. Adagio (1:44)
27. Sonata VII, Opus 5 - III. Presto (0:51)
28. Sonata VII, Opus 5 - IV. Allegro (0:37)
29. Sonata VIII, Opus 5 - I. Without tempo indication (1:04)
30. Sonata VIII, Opus 5 - II. Largo (2:04)
31. Sonata VIII, Opus 5 - III. Allegro (0:33)
32. Sonata VIII, Opus 5 - IV. Prestissimo (0:31)
33. Sonata IX, Opus 5 - I. Largo (2:41)
34. Sonata IX, Opus 5 - II. Adagio (1:29)
35. Sonata IX, Opus 5 - III. Presto (0:29)
36. Sonata IX, Opus 5 - IV. Presto (0:33)
37. Sonata X, Opus 5 - I. Vivace (1:37)
38. Sonata X, Opus 5 - II. Allegro (0:35)
39. Sonata X, Opus 5 - III. Adagio (1:32)
40. Sonata X, Opus 5 - IV. Prestissimo (0:38)
41. Sonata XI, Opus 5 - I. Largo (1:09)
42. Sonata XI, Opus 5 - II. Presto (0:56)
43. Sonata XI, Opus 5 - III. Adagio (1:01)
44. Sonata XI, Opus 5 - IV. Allegro (1:19)
45. Sonata XII, Opus 5 - I. Allegro (1:03)
46. Sonata XII, Opus 5 - II. Allegro (0:49)
47. Sonata XII, Opus 5 - III. Allegro (0:24)
48. Sonata XII, Opus 5 - IV. Allegro (0:43)
49. Sonata XII, Opus 5 - V. Allegro (0:27)
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Artykuł MAZZAFERRATA, La Ghirlanda Mosicale<br/>Il Primo Libro Delle Sonate A 2Due Violini Op. 5 pochodzi z serwisu Cleartone.

]]> FIRST RECORDING

The first book of sonatas for two violins with a bassetto viola if desired by Giovanni Battista Mazzaferrata „maestro di cappella of the most illustrious Accademia della Morte di Ferrara opus five“ was published in Bologna in 1674; a first re-edition was then printed in Venice in 1678 and a second in Bologna in 1688, definite signs of the success won by this work. Each of the sonatas if the fruit of fresh, spontaneous elaboration and presents four movements with precise indications of dynamics and tempo, usually contrasting though without a fixed order: in some cases the slow movements alternate with fast ones, in other cases they appear without any regular pattern creating a form that is very similar to that of the suite. The melodic quality is admirable, with extraordinary liveliness of contrapuntal writing, which is generally harmonic (and only rarely melodic). As some critics have noted, the light flowing style that we find throughout the collection might well make us think of premonitory signs of classical style.

Orchestra
La Ghirlanda Mosicale:
Stefano Montanari, violin
Claudia Combs, violin
David Gebhart, horn
Alberto Rasi, viola da gamba
Massimo Lonardi, arciliuto
Ugo Nastrucci, theorbo & baroccan guitar
Giangiacomo

Artykuł MAZZAFERRATA, La Ghirlanda Mosicale<br/>Il Primo Libro Delle Sonate A 2Due Violini Op. 5 pochodzi z serwisu Cleartone.

]]> https://www.cleartone.de/produkte/musik/klasik/mazzaferratail-primo-libro-delle-sonate-a-2due-violini-op-5/feed/ 0 CORBETTA, La Ghirlanda MosicaleA guitarist from Pavia across Europe https://www.cleartone.de/produkte/musik/klasik/corbettaa-guitarist-from-pavia-across-europe/ https://www.cleartone.de/produkte/musik/klasik/corbettaa-guitarist-from-pavia-across-europe/#respond Fri, 12 Apr 2019 21:21:57 +0000 https://www.cleartone.de/?post_type=product&p=15336
  • 1. Mantovana, for ensemble (after the anonymous 'Fuggi, Fuggi, ballo di Mantova')
  • 2. Sinfonia, for soprano, archlute & theorbo
  • 3. Folìa, for ensemble (after the anonymous 'L'ausençia, cançion sobre las folias')
  • 4. Sinfonia à 2, for guitar & virginal
  • 5. Passecaglia
  • 6. Spagnoletto, for ensemble (after the anonymous 'O begli occhi o belle chiome')
  • 7. Suite al quinto tuono: Preludio
  • 8. Suite al quinto tuono: Almanda
  • 9. Suite al quinto tuono: Sarabanda
  • 10. Suite al quinto tuono: Sarabanda
  • 11. Suite al quinto tuono: Chiacona
  • 12. Gavotte 'aymée du Duc de Monmouth', for ensemble
  • 13. Al[le]m[anda] del 5.to un tuon più Alto, for guitar (from Varii capricii, 1643)
  • 14. Sua Corrente, for guitar
  • 15. Sarabanda per la B, for guitar
  • 16. Passacaglia sopra C, for guitar in D major
  • 17. Sarabande 'Tombeau de Madame', for ensemble
  • 18. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Prelude en C sol ut fa b mol
  • 19. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Sarabande (Tombeau de Madame)
  • 20. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Passacaille
  • 21. Suite (Prelude en C sol ut fa b mol) for guitar (La guitarre royalle, 1671): Caprice de Chaconne
  • 22. Allemande 'chérie du Duc d'York', for ensemble
  • 23. Trompette Tambour de France et de Suisse, for guitar (from La Guitarre Royalle, 1671)
  • 24. Autre Chaconne & Folie, for guitar: Autre chaconne
  • 25. Autre Chaconne & Folie, for guitar: Folie
  • 26. Allemande 'aymée du Roy', for ensemble
  • 27. Tombeau de Mr. Francisque Corbet (Allemande grave), for guitar & theorbo

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    Artykuł CORBETTA, La Ghirlanda Mosicale<br/>A guitarist from Pavia across Europe pochodzi z serwisu Cleartone.

    ]]>     Francesco Corbetta was a well-known personality in the musical life, not just of Pavia, but also of various European courts. Born around 1615, he was active in Bologna, and in Mantua. He travelled through Spain, Italy, Germany, France, England and the Low Countries. In 1676, he settled definitively in Paris where he died in April 1681, leaving a musical bequest of remarkable entity. His most precious virtue was to have made the guitar speak the true language of love. His fame did not depend exclusively on his skill as a guitar performer but also on the originality of his composition. Corbetta experiments and seeks new solutions and adopts different styles: His only preoccupation is to affirm categorically the validity and originality of a purely guitar repertoire, quite distinct from writing for the lute. The selection proposed here offers an overview of the musician’s stylistic sweep.
    Excerpts from:
    Varii Capricii per la Ghittara Spagnuola, 1643
    Varii scherzi di suonate per la chitara spagnuola.libro quarto, 1648
    La Guitarre Royalle dediée au Roy de la Grande Bretagne, 1671
    La Guitarre Royalle dediée au Roy, 1674
    De gli scherzi armonici trovati, e facilitati in alcune curiosissime suonate sopra la chitarra spagnuola, 1639

    Orchestra
    La Ghirlanda Mosicale:
    Ugo Nastrucci, chitarra barocca e tiorba
    Massimo Lonardi, arciliuto
    Giangiacomo Pinardi, chitarra barocca
    Michele Pasotti, chitarra barocca e tiorba
    Anna Simboli, soprano
    Monica

    Artykuł CORBETTA, La Ghirlanda Mosicale<br/>A guitarist from Pavia across Europe pochodzi z serwisu Cleartone.

    ]]>     https://www.cleartone.de/produkte/musik/klasik/corbettaa-guitarist-from-pavia-across-europe/feed/ 0