ESOTERIC equipment used for re-mastering
The criterion of re-mastering is to faithfully capture the quality of the original master tapes. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this re-mastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master tapes.

Experience by yourself…
Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the „soul“ hidden within the notes, but never before found in previously released recordings in any format.

Nakład każdego tytułu to 1000 egzemplarzy w skali światowej. Płyty nie są wznawiane. </font>Stanowią niezwykle poszukiwany i pożądany cel kolekcjonerów z całego świata. <br></br>

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Artykuł BEETHOVEN<br />Symphonie No. 9<br />Gwyneth Jones, Hanna Schwarz, Rene Kollo, Kurt Moll<br /> Wiener Philharmoniker, Leonard Bernstein pochodzi z serwisu Cleartone.

Bartók employs the inexhaustible sources of tonal writing with superb mastery to produce his own distinctive tonal language. In his dissonantly sharpened, expressive, even audacious music one can recognize peasant dance, cantilena, variation movement, rondo form, and twelve-tone themes, which however remain tonal.

During his career spanning 60 years, violinist Isaac Stern recorded this major contemporary work several times and demonstrates once again his superb mastery of his instrument in this particular recording. With bravura he conjures up eruptive snatches of melody out of the rhapsodic depths, allows the slow movement to glow with pastoral sentiment, and tears through the vast variations finale with a perfect command of the score, his instrument and his creative prowess.

Artykuł BARTOK<br />Concerto for Violin and Orchestra No. 2<br />Isaac Stern, Leonard Bernstein, New York Philharmonic pochodzi z serwisu Cleartone.

Artykuł Original Broadway Cast<br />West Side Story pochodzi z serwisu Cleartone.

Thanks to a very clear and well-balanced recording, every subtlety of scoring, especially some of the lower strings’ counterpoint, comes through as the conductor intended. One is made aware of the daring novelty of much of the orchestration, of how advanced it must have sounded in the early years of this century. Here we get the structure, the sound and the emotion. The Adagietto isn’t dragged out, and the scrupulous attention to Mahler’s dynamics allows the delightfully silken sound of the Vienna strings to be heard to captivating advantage, with the harp well recorded too. Bernstein is strongest in Mahler when the work itself is one of the more optimistic symphonies with less temptation for him to add a few degrees more of Angst.

https://www.gramophone.co.uk/editorial/mahlers-symphony-no-5

Artykuł MAHLER <BR />Symphonie No. 5<BR /> Wiener Philharmoniker, Leonard Bernstein<br />2 LP pochodzi z serwisu Cleartone.

Esoteric Equipment Used for Remastering
The criterion of remastering is to faithfully capture the quality of the original master. ESOTERIC’s flag ship D/A converters, model D-01VU, Rubidium master clock generator model G-0Rb and ESOTERIC MEXCEL interconnect cables and power cords, were all used for this remastering session. This combination of highly advanced technology greatly contributed to capturing the high quality sound of the original master.

Experience by Yourself…
Experience the legendary performance in this new Super Audio CD/CD format. Not only for new followers, but also for well experienced followers of these recorded materials. All will be equally impressed by the “soul” hidden within the notes, but never before found in previously released recordings in any format.

Nakład każdego tytułu to 1000 egzemplarzy w skali światowej. Płyty nie są wznawiane. Stanowią niezwykle poszukiwany i pożądany cel kolekcjonerów z całego świata.

Artykuł MAHLER<br />Symphony No. 9<br />Leonard Bernstein, Berliner Philharmoniker pochodzi z serwisu Cleartone.

Bei diesem Titel handelt es sich um eine SHM-SACD. Dieses Format ist die Weiterentwicklung der Single-Layer-SACD und verwendet einen besonders lichttransparenten Kunststoff (Super High Material). Durch ihn wird eine deutlich bessere Auslesbarkeit der Pit-Land-Strukturen auf der Oberfläche erreicht als bei Hybrid-SACDs möglich. Die SHM-SACDs von Universal werden generell von den Masterbändern der Alben ohne Veränderungen neu in DSD digitalisiert. SHM-SACDs können auf jedem SACD-Spieler wiedergegeben werden. Bitte verwenden Sie weder L’Art du Son noch alkoholbasierte Reinigungsmittel. – Achtung: Alle Titel werden von Universal Music als Sammlerstücke in Limited Edition für den japanischen Markt konzipiert.

Artykuł BEETHOVEN <br />Symphonien 4 & 5 <br />Wiener Philharmoniker <br />Leonard Bernstein pochodzi z serwisu Cleartone.

Artykuł MAHLER<br />Des kanben wunderhorn<br />Lucia Popp, Andreas Schmidt, Leonard Bernstein, Concertgebouworkestr pochodzi z serwisu Cleartone.

EMI had recorded Orchestre National de France (also known as Orchestre National de l’Office de Radiodiffusion Télévision Française (ORTF)) for many years under its chief conductor Jean Martinon. However, largely as a result of the concerts he gave at the time, Bernstein immediately struck up a rapport with the orchestra and the result was magic: “The French orchestra play beautifully for Bernstein, and they also sense the ebb and flow of tempo which he imparts to the music.” as the GRAMOPHONE wrote in 1977.

Recorded in the famous Salle Wagram, Paris, the Berlioz Fantastique was produced and engineered by John Mordler and Paul Vavasseur respectively.

In the original 1977 review of the Mussorgsky John Warwick in the GRAMOPHONE wrote:
„This is excellent… One necessary ingredient of a true performance of the Fantastic Symphony is the sense of virtuoso conductor responding to virtuoso composer; but Bernstein also holds fast to the essential point that the virtuosity is of imagination as well as expression… I would regard this as the most interesting performance of the symphony now on record. It has a character individually its own; it is reflective and exhilarating; it is exquisitely played; it is sensitively recorded.“

Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS80 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional playback head.
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Artykuł BERLIOZ<br />Symphonie Fantastique Op. 14<br />Leonard Bernstein, Orchestre National de France pochodzi z serwisu Cleartone.

The Ninth Symphony by Schubert in this CD clearly reveals Bernstein’s unique temperament. Ravel’s Concerto in G finally highlights the character of Bernstein the pianist; an artist capable of tackling the enormous difficulties of this page with a smile on his lips.

Artykuł SCHUBERT, RAVEL, Boston Symphony, Leonard Bernstein, The Philharmonia Orchestra<br/>Leonard Bernstein soloist & conductor pochodzi z serwisu Cleartone.