SCARLATTI - Cleartone https://www.cleartone.de/produkte-schlagwort/scarlatti/ Cleartone Thu, 25 Jan 2024 11:23:05 +0000 de hourly 1 https://wordpress.org/?v=6.9.5 https://www.cleartone.de/wp-content/uploads/2018/01/cropped-cropped-logo_cleartone-512_512-32x32.jpg SCARLATTI - Cleartone https://www.cleartone.de/produkte-schlagwort/scarlatti/ 32 32 SCARLATTI Davidis pugna et victoria Academia Montis Regalis Alessandro de Marchi https://www.cleartone.de/produkte/musik/musik-cds/sacred-music-cd/davidis-pugna-et-victoria/ https://www.cleartone.de/produkte/musik/musik-cds/sacred-music-cd/davidis-pugna-et-victoria/#respond Sat, 25 Jul 2020 21:21:11 +0000 https://www.cleartone.de/produkte/bez-kategorii/davidis-pugna-et-victoria/
  • Davidis pugna et victoria
  • 1 Part 1 No 01: Sinfonia [3'07]
  • 2 Part 1 No 02. Recitative: Iochor sub aeria (Testo) [0'35]
  • Fredrik Akselberg (tenor)
  • 3 Part 1 No 03. Aria: Fata regum et sereno (Testo) [2'10]
  • Fredrik Akselberg (tenor)
  • 4 Part 1 No 04. Recitative: Horruit audita Saul (Testo) [0'32]
  • Fredrik Akselberg (tenor)
  • 5 Part 1 No 05. Concertino: Heu perii (Saul) [0'44]
  • Martin Oro (countertenor)
  • 6 Part 1 No 06. Recitative: Periere meae bona fata Sionis (Saul) [0'35]
  • Martin Oro (countertenor)
  • 7 Part 1 No 07. Aria: Quisquis alta per inane (Saul) [1'09]
  • Martin Oro (countertenor)
  • 8 Part 1 No 08. Recitative: Talia clamanti (Testo) [0'18]
  • Fredrik Akselberg (tenor)
  • 9 Part 1 No 09. Aria: Fugiat timor (Jonatha) [1'09]
  • Robin Johannsen (soprano)
  • 10 Part 1 No 10. Aria: Iam veni tu spes (Jonatha) [2'24]
  • Robin Johannsen (soprano)
  • 11 Part 1 No 11. Duet: Tuba, tuba (Saul/Jonatha) [0'43]
  • Martin Oro (countertenor), Robin Johannsen (soprano)
  • 12 Part 1 No 12. Aria: Mea fata, superbi, videte (Saul) [4'03]
  • Martin Oro (countertenor)
  • 13 Part 1 No 13. Duet: Tuba, tuba (Saul/Jonatha) [0'26]
  • Martin Oro (countertenor), Robin Johannsen (soprano)
  • 14 Part 1 No 14. Coro: Eamus, fugiamus (Israelites) [2'51]
  • 15 Part 1 No 15. Recitative: Quo fugitis mea turba? (David) [0'21]
  • Roberta Invernizzi (soprano)
  • 16 Part 1 No 16. Aria: Verte tela, verte faces (David) [2'13]
  • Roberta Invernizzi (soprano)
  • 17 Part 1 No 17. Recitative: Quis duce trepidante audet? (Saul/David) [0'32]
  • Martin Oro (countertenor), Roberta Invernizzi (soprano)
  • 18 Part 1 No 18. Duet: O Jonathae spes una David (Jonatha/David) [1'19]
  • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
  • 19 Part 1 No 19. Aria: Age tuba militaris (Jonatha/David) [3'33]
  • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
  • 20 Part 1 No 20. Coro: Vincemus, Io, vincemus (Israelites) [1'27]
  • 21 Part 1 No 21. Aria: In flore labente – Cum sole cadente (Jonatha/David) [4'00]
  • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
  • 22 Part 1 No 22. Duet: Sic et mortis orrore labente (Jonatha/David) [0'33]
  • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
  • 23 Part 1 No 23. Coro: Vincemus, Io, vincemus (Israelites) [1'32]
  • 24 Part 2 No 01: Sinfonia [0'32]
  • 25 Part 2 No 02. Recitative: Evaginabo gladium meum (Golia) [0'37]
  • Antonio Abete (bass)
  • 26 Part 2 No 03. Recitative: Surgant, opitulentur tibi dii (David) [0'37]
  • Roberta Invernizzi (soprano)
  • 27 Part 2 No 04. Recitative: Surgam, et lacerabo te manibus meis (Golia) [0'50]
  • Antonio Abete (bass)
  • 28 Part 2 No 05. Aria: Non imbelli duello puelli (David) [1'20]
  • Roberta Invernizzi (soprano)
  • 29 Part 2 No 06. Aria: Saevo dente fremente leonem (Golia) [1'15]
  • Antonio Abete (bass)
  • 30 Part 2 No 07. Recitative: Cives, Io, date plausum (David) [2'05]
  • Roberta Invernizzi (soprano)
  • 31 Part 2 No 08. Aria: Philistaei, reboate (Golia) [2'10]
  • Antonio Abete (bass)
  • 32 Part 2 No 09. Aria & Coro: Ad arma (Golia/Philistines) [1'55]
  • Antonio Abete (bass)
  • 33 Part 2 No 10. Aria: Tu mihi superum aeterne rex (David) [5'41]
  • Roberta Invernizzi (soprano)
  • 34 Part 2 No 11. Recitative: Dixit, et excusso montano (Testo) [1'09]
  • Fredrik Akselberg (tenor)
  • 35 Part 2 No 12. Coro: Heu sodales – Victoria (Philistines/Israelites) [2'40]
  • 36 Part 2 No 13. Aria: Age terra fortunata (Israelite 1) [1'22]
  • Robin Johannsen (soprano)
  • 37 Part 2 No 14. Recitative: Victori redimite comas (Israelite 2) [0'19]
  • Martin Oro (countertenor)
  • 38 Part 2 No 15. Aria: Deque lauru (Israelite 2) [1'44]
  • Martin Oro (countertenor)
  • 39 Part 2 No 16. Aria: Scanda regna liberata (Israelite 2) [1'00]
  • Martin Oro (countertenor)
  • 40 Part 2 No 17. Aria: Quae gigante pugnante vidistis (David) [2'40]
  • Roberta Invernizzi (soprano)

    • {{soundFile=http://www.ccd.pl/sample/CDA67714/01.mp3,http://www.ccd.pl/sample/CDA67714/02.mp3,http://www.ccd.pl/sample/CDA67714/03.mp3,http://www.ccd.pl/sample/CDA67714/04.mp3,http://www.ccd.pl/sample/CDA67714/05.mp3&titles=1 Part 1 No 01: Sinfonia [3'07] ,2 Part 1 No 02. Recitative: Iochor sub aeria (Testo) [0'35] ,3 Part 1 No 03. Aria: Fata regum et sereno (Testo) [2'10],4 Part 1 No 04. Recitative: Horruit audita Saul (Testo) [0'32] ,5 Part 1 No 05. Concertino: Heu perii (Saul) [0'44] }}

    Artykuł SCARLATTI <br />Davidis pugna et victoria <br />Academia Montis Regalis <br />Alessandro de Marchi pochodzi z serwisu Cleartone.

    ]]>     The banning of opera performances during Lent in seventeenth- and eighteenth-century Rome meant that composers had to turn their attention to biblical subjects. However there is no sense that either composer or librettist felt at all limited in their subject matter, judging from the extraordinarily inventive oratorios that were produced during this time. Scarlatti’s work tells the dramatic story of David and Goliath. Whilst the biblical account relays the story in a few sentences, the anonymous librettist of Davidis pugna et victoria expands upon these to create an extensive libretto, with the characters fully developed and explored. Scarlatti’s musical response to the libretto demonstrates his gift for characterization, which acts as a commentary on the unfolding narrative. Performances of thrilling dynamism and instinctive style from Academia Montis Regalis make the strongest possible case for this work.

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    ‚This is Accademia Montis Regalis’s third and most convincing Italian Baroque oratorio recording for Hyperion, and a fine addition to the elder Scarlatti’s discography‘ (Gramophone)

    ‚De Marchi knows exactly how to keep things moving, and his performers are first class … Especially memorable is David’s prayer ‚Tu mihi supernum aeterne rex‘, which provides Invernizzi with an opportunity to soar celestially above flowing musical lines, in one of Scarlatti’s most inspired melodic creations, a shining oasis of calm in the midst of pugnacious full-textured activity‘ (International Record Review)

    ‚Such an impressive work – why haven’t we heard it before? … Scatlatti’s take on the story of David and Goliath is as dramatic as any early opera and it receives a performance to do it justice here‘ (MusicWeb.com)

    Artykuł SCARLATTI <br />Davidis pugna et victoria <br />Academia Montis Regalis <br />Alessandro de Marchi pochodzi z serwisu Cleartone.

    ]]>     https://www.cleartone.de/produkte/musik/musik-cds/sacred-music-cd/davidis-pugna-et-victoria/feed/ 0     SCARLATTI, RAMEAU, PURCELL, HAYDN, Andreas SegoviaThe Baroque Repertoire (1939-1952) https://www.cleartone.de/produkte/musik/musik-cds/kammermusik-cd/scarlattithe-baroque-repertoire-1939-1952/ https://www.cleartone.de/produkte/musik/musik-cds/kammermusik-cd/scarlattithe-baroque-repertoire-1939-1952/#respond Tue, 09 Apr 2019 13:59:15 +0000 https://www.cleartone.de/?post_type=product&p=15397
  • Visee, Robert de
  • Suite in D minor (excerpts) (arr. A. Segovia) - 04:33
  • 1 IV. Sarabande - 01:51
  • 2. VI. Bouree - 00:55
  • 3. IX. Menuet - 01:47
  • Froberger, Johann Jacob
  • 4. Gigue (arr. A. Segovia) - 01:42
  • Scarlatti, Domenico
  • 5. Keyboard Sonata in C minor, K.11/L.352/P.67 (arr. for guitar) - 03:10
  • Rameau, Jean-Philippe
  • 6. Minuet (arr. A. Segovia) - 02:34
  • Purcell, Henry
  • 7. A New Irish Tune in G major, Z. 646 (arr. A. Segovia) - 00:41
  • Purcell, Henry
  • 8. Menuet (arr. A. Segovia) - 01:13
  • Purcell, Henry
  • 9. Jig (arr. A. Segovia) - 00:36
  • Dowland, John
  • 10. Galliard (arr. A. Segovia) - 00:42
  • Ponce, Manuel Maria
  • 11. Gavotte (attrib. to A. Scarlatti, spurious) - 02:57
  • Ponce, Manuel Maria
  • 12. Sarabanda (attrib. to A. Scarlatti, spurious) - 03:14
  • Haydn, Franz Joseph
  • 13. String Quartet No. 60 in G major, Op. 76, No. 1, Hob.III:75: III. Minuet (arr. A. Segovia) - 03:04
  • Haydn, Franz Joseph
  • 14. String Quartet: II. Andante (arr. A. Segovia) - 02:52
  • Bach, Johann Sebastian
  • 15. Cello Suite No. 1 in G major, BWV 1007: I. Prelude (arr. A. Segovia) - 02:19
  • Bach, Johann Sebastian
  • 16. Cello Suite No. 6 in D major, BWV 1012: V. Gavotte I-II (arr. A. Segovia) - 03:53
  • Bch, Johann Sebastian
  • 17. Violin Sonata No. 1 in G minor, BWV 1001: III. Siciliana (arr. A. Segovia) - 03:22
  • Bach, Johann Sebastian
  • 18. Lute Suite in E minor, BWV 996: V. Bourree (arr. A. Segovia) - 01:31
  • Bach, Johann Sebastian
  • 19. Violin Partita No. 1 in B minor, BWV 1002: VII. Bourree (arr. A. Segovia) - 03:36
  • Bach, Johann Sebastian
  • 20. Cello Suite No. 3 in C major, BWV 1009: III. Courante (arr. A. Segovia) - 02:57
  • Handel, George Frideric
  • 21. Suite No. 4 in D minor, HWV 437: III. Saraband (arr. A. Segovia) - 04:00

    • {{soundFile=http://www.ccd.pl/sample/idis/IDIS6400.mp3&titles=The Baroque Repertoire (1939-1952)}}

    Artykuł SCARLATTI, RAMEAU, PURCELL, HAYDN, Andreas Segovia<br/>The Baroque Repertoire (1939-1952) pochodzi z serwisu Cleartone.

    ]]>     SCARLATTI RAMEAU PURCELL HAYDN Andreas Segovia The Baroque Repertoire. After the success of the IDIS 6381 title, dedicated to Segovia’s 1939-1947 Bach recordings, we now publish a new thematic CD of the great Spanish guitarist, featuring a series of wonderful recordings of Baroque pieces. Here are compositions by Rameau, Purcell, Dowland, Alessandro and Domenico Scarlatti, Haydn, Froberger, De Visée and Händel, as well as some beautiful works by Johann Sebastian Bach recorded by Segovia in 1952. After a very accurate digital remastering, in many cases Segovia’s Hauser guitar is restored to its wonderful sound, often degraded by recordings of poor technical quality.

    Artykuł SCARLATTI, RAMEAU, PURCELL, HAYDN, Andreas Segovia<br/>The Baroque Repertoire (1939-1952) pochodzi z serwisu Cleartone.

    ]]>     https://www.cleartone.de/produkte/musik/musik-cds/kammermusik-cd/scarlattithe-baroque-repertoire-1939-1952/feed/ 0