• HANDEL, Ruth Rosique, Sara Mingardo, Antonio Abete, Baroque Orchestra Cappella della Pieta dei Turchin, Antonio Florio<br/>Aci, Galatea e Polifemo
    • HANDEL, Ruth Rosique, Sara Mingardo, Antonio Abete, Baroque Orchestra Cappella della Pieta dei Turchin, Antonio Florio
      Aci, Galatea e Polifemo
      18,00 €
      • Part 1
      • 1. Opening / Siciliana
      • 2. Sorge il dì (Aci, Galatea)
      • 3. Sforzano a piangere (Galatea)
      • 4. Che non può la gelosia (Aci)
      • 5. Ma qual orrido suono (Galatea)
      • 6. Sibilar l’angui d’Aletto (Polifemo)
      • 7. Benché tuoni e l’etra avvampi (Galatea)
      • 8. Non sempre, no, crudele (Polifemo)
      • 9. Dell’aquila l’artigli (Aci)
      • 10. Precipitoso nel mar che freme (Polifemo)
      • 11. S’agita in mezzo all’onde (Galatea)
      • 12. Proverà lo sdegno mio (Trio)
      • Part 2
      • 1. Sonata
      • 2. Ingrata, se mi nieghi (Polifemo)
      • 3. Fra l’ombre e gl’orrori (Polifemo)
      • 4. Qui l’augel da pianta in pianta (Aci)
      • 5. Se m’ami, o caro (Galatea)
      • 6. Dolce/caro amico amplesso (Trio)
      • 7. Verso già l’alma col sangue (Aci)
      • 8. Impara, ingrata, impara (Polifemo)
      • 9. Del mar fra l’onde (Galatea)
      • 10. Vissi fedel, mia vita (Polifemo)
      • 11. Chi ben ama ha per oggetti (Trio)
      {{}}
    • GEMINIANI, AVISON, ECCLES, HANDEL<br/>Play me my songs
    • GEMINIANI, AVISON, ECCLES, HANDEL
      Play me my songs
      16,00 €
      1. Mad Lover: Suite by John Eccles A Treatise of Good Taste in the Art of Musick: 2. The Lass of Peaty's Mill by Francesco Geminiani 3. The Night her silent sable wore by Francesco Geminiani 4. When Phoebus bright by Francesco Geminiani 5. Bessy Bell and Mary Gray by Francesco Geminiani 6. Trio Sonata in F major "The last time I came o'er..." by Francesco Geminiani 7. Overtures (9) for 2 Violins, Viola and Basso Continuo, Op. 4: no 2 in D minor by Francesco Barsanti 8. Barbara ninfa in grata by Giovanni Bononcini 9. Concertos (12), Op. 9 by Charles Avison 10. Minuet in G minor, HWV 543 by George Frideric Handel 11. Come and listen, HWV 228 no 6 "Sailor's Complaint" by George Frideric Handel{{soundFile=http://www.ccd.pl/sample/CDS612/01.mp3,http://www.ccd.pl/sample/CDS612/02.mp3,http://www.ccd.pl/sample/CDS612/03.mp3,http://www.ccd.pl/sample/CDS612/04.mp3,http://www.ccd.pl/sample/CDS612/05.mp3,http://www.ccd.pl/sample/CDS612/06.mp3&titles=1. Mad Lover: Suite by John Eccles ,2. The Lass of Peaty's Mill by Francesco Geminiani ,3. The Night her silent sable wore by Francesco Geminiani ,4. When Phoebus bright by Francesco Geminiani ,5. Bessy Bell and Mary Gray by Francesco Geminiani ,6. Trio Sonata in F major "The last time I came o'er..." by Francesco Geminiani}}
    • HANDEL, VIVALDI, ROSSINI, DONIZETTI, VERDI, Mariella Devia, Raul Gimenez, Patrizia Ciofi<br/>30th Anniversary of Martina Franca Festival
    • HANDEL, VIVALDI, ROSSINI, DONIZETTI, VERDI, Mariella Devia, Raul Gimenez, Patrizia Ciofi
      30th Anniversary of Martina Franca Festival
      24,00 €
      • Disc: 1
      • 1. Giulio Cesare in Egitto, opera, HWV 17: Va tacito e nascosto
      • 2. Farnace, opera in 3 acts, RV 711: Quel torrente
      • 3. Il duello comico, comic opera: Voglio ognor che mon mari
      • 4. Le Astuzie Femminili, opera: Io son dottor di legge
      • 5. Adelaide di Borgogna (Ottone, re d'Italia), opera: Occhi miei piangeste assai - O cara immagine
      • 6. Otello, opera: No, non temer
      • 7. La pietra del paragone, opera: Quell'alme pupille
      • 8. L'Ultimo Giorno di Pompei, opera: Sopprimerio? Ah, no, mai!
      • 9. Norma, opera: Mira o Norma
      • 10. La sonnambula, opera: Vi ravviso, o luoghi ameni
      • 11. La sonnambula, opera: Ah, non credia mirarti
      • 12. Il Pirata, opera: Col sorriso d'innocenza
      • 13. Il Bravo (La veneziana), opera: All'età dell'innocenza
      • 14. Il Bravo (La veneziana), opera: Della vita nel sentiero
      • Disc: 2
      • 1. Maria di Rohan, opera: A morire incominciai
      • 2. Il fortunato inganno, opera: Scaccia dal cor colei
      • 3. La favorita, opera: Vien Leonora, a' piedi tuoi
      • 4. La favorita, opera: De' nemici tuoi lo sdegno
      • 5. La zingara, opera: Quid est homo sine femina
      • 6. Ernani, opera: Mercé diletti amici - Come rugiada al cespite
      • 7. Ernani, opera: Ernani, involami
      • 8. Ernani, opera: Che mai vegg'io? - Infelice, e tuo credevi
      • 9. Macbeth, opera: Una macchia è qui tutt'ora
      • 10. Simon Boccanegra, opera: A te l'estremo addio
      • 11. Simon Boccanegra, opera: Suona ogni labbro il mio nome
      • 12. Simon Boccanegra, opera: Come in quest'ora bruna
      • 13. Le villi, opera: Torna ai felici dì
      • 14. Siberia, opera: È qui con te il mio destin
      • Disc: 3
      • 1. Roland, opera: Viens, je sais - De l'aimable objet
      • 2. Proserpine, opera: Rendez-moi donc
      • 3. Fra Diavolo, opera: Or son sola
      • 4. Les Huguenots, grand opera in 5 acts: O beau pays
      • 5. Les Huguenots, grand opera in 5 acts: Ah, si j'etais coquette
      • 6. Robert le diable, grand opera in 5 acts: Voici donc les débris - Nonnes qui reposez
      • 7. Lucia di Lammermoor, opera: Que n'avons-nous - Toi par qui
      • 8. Il Trovatore, opera: L'amour ardent, l'amour sublime
      • 9. Il Trovatore, opera: La nuit est calme ... Exilé sur la Terre
      • 10. La reine de Saba, opera: Faiblesse de la race humaine
      • 11. La Grande-Duchesse de Gérolstein, operetta in 3 acts: Ah, que j'aime les militaires
      • 12. Les Pêcheurs de perles, opera in 3 acts: Au fond temple saint
      • 13. Lakmé, opera: Où va la jeune hindoue
      • 14. Roma, tragic opera in 5 acts: Soir admirable
      {{soundFile=http://www.ccd.pl/sample/CDS448/01.mp3,http://www.ccd.pl/sample/CDS448/02.mp3,http://www.ccd.pl/sample/CDS448/03.mp3,http://www.ccd.pl/sample/CDS448/05.mp3,http://www.ccd.pl/sample/CDS448/06.mp3&titles=01. Martine Dupui - Va tacito e nascosto (6:40),02. Susan Long Solustri - Quel Torrente (Vivaldi Farnace) (4:31),03. Stefania Donzelli - Voglio ognor che mon mari (Paisiello Il duello comico (4:26),05. Mariela Devia - Occhi miei piangete assai (Rossini Adelaide di Borgogna) (5:33),06. Simon Eduards - No non temer (Rossini Otello) (5:40)}}
    • Alexander Balus
    • HANDEL
      Alexander Balus
      The King’s Consort
      Robert King
      24,00 €
      • Alexander Balus
      • CD1
      • 1 Act 1 Ouverture: [Grave] – Allegro [2:51]
      • 2 Act 1 Scene 1 No 01. Chorus: Flush'd with conquest, fir'd by Mithra (Asiates) [3:11
      • New College Choir Oxford, King's Consort Choir
      • 3 Act 1 Scene 1 No 02. Recitative: Thus far, ye glorious partners of the war (Alexander/Jonathan) [1:28]
      • Catherine Denley (contralto), Charles Daniels (tenor)
      • 4 Act 1 Scene 1 No 03. Air: Great Author of this harmony (Jonathan) [3:17]
      • Charles Daniels (tenor)
      • 5 Act 1 Scene 1 No 04: Flourish of trumpets [0:11]
      • 6 Act 1 Scene 1 No 05. Recitative: And thus let happy Egypt's king (Ptolomee) [0:24]
      • Michael George (bass)
      • 7 Act 1 Scene 1 No 06. Air: Thrice happy the monarch, whom nations content (Ptolomee) [3:43]
      • Charles Daniels (tenor)
      • 8 Act 1 Scene 1 No 07. Recitative: Congratulation to our father's friend (Cleopatra) [0:25]
      • Lynne Dawson (soprano)
      • 9 Act 1 Scene 1 No 08. Air: Hark! hark! he strikes the golden lyre (Cleopatra) [5:56]
      • Lynne Dawson (soprano)
      • 10 Act 1 Scene 1 No 09. Recitative: Be it my chief ambition there to rise (Alexander) [0:14]
      • Catherine Denley (contralto)
      • 11 Act 1 Scene 1 No 10. Air: Fair virtue shall charm me (Alexander) [2:24]
      • Catherine Denley (contralto)
      • 12 Act 1 Scene 1 No 11. Chorus: Ye happy nations round (Asiates) [3:01]
      • New College Choir Oxford, King's Consort Choir
      • 13 Act 1 Scene 2 No 1. Recitative: My Jonathan (Alexander) [0:35]
      • Catherine Denley (contralto)
      • 14 Act 1 Scene 2 No 2. Air: Oh, what resistless charms are giv'n (Alexander) [4:13]
      • Catherine Denley (contralto)
      • 15 Act 1 Scene 3 No 1. Air: Subtle love, with fancy viewing (Cleopatra) [4:55]
      • Lynne Dawson (soprano)
      • 16 Act 1 Scene 3 No 2. Recitative: Aspasia, I know not what to call (Cleopatra) [0:45]
      • Lynne Dawson (soprano)
      • 17 Act 1 Scene 3 No 3. Air: How happy should we mortals prove (Cleopatra) [2:26]
      • Lynne Dawson (soprano)
      • 18 Act 1 Scene 3 No 4. Recitative: Check not the pleasing accents of thy tongue (Aspasia) [0:25]
      • Claron McFadden (soprano)
      • 19 Act 1 Scene 3 No 5. Air: So shall the sweet attractive smile (Aspasia) [2:40]
      • Claron McFadden (soprano)
      • 20 Act 1 Scene 3 No 6. Recitative: How blissful state! (Cleopatra/Aspasia) [0:26]
      • Lynne Dawson (soprano), Claron McFadden (soprano)
      • 21 Act 1 Scene 3 No 7. Duet: O what pleasures, past expressing (Cleopatra/Aspasia) [3:00]
      • Lynne Dawson (soprano), Claron McFadden (soprano)
      • 22 Act 1 Scene 4 No 1. Recitative: Why hangs this heavy gloom upon the brow (Jonathan/Alexander) [1:00]
      • Charles Daniels (tenor), Catherine Denley (contralto)
      • 23 Act 1 Scene 4 No 2. Air: Heroes may boast their mighty deed (Alexander) [4:52]
      • Catherine Denley (contralto)
      • 24 Act 1 Scene 5 No 1. Recitative: Ye sons of Judah, with high festival (Jonathan) [0:31]
      • Charles Daniels (tenor)
      • 25 Act 1 Scene 5 No 2. Air with chorus: Great God, from whom all blessings spring (Jonathan/Israelites) [4:28]
      • Charles Daniels (tenor), New College Choir Oxford, King's Consort Choir
      • 26 Act 2 Scene 1 No 1. Air: Kind hope, thou universal friend (Alexander) [6:04]
      • Catherine Denley (contralto)
      • 27 Act 2 Scene 1 No 2. Recitative: Long, long and happy live the king! (Jonathan/Alexander) [0:40]
      • Charles Daniels (tenor), Catherine Denley (contralto)
      • 28 Act 2 Scene 1 No 3. Air: O Mithra, with thy brightest beams (Alexander) [4:17]
      • Catherine Denley (contralto)
      • 29 Act 2 Scene 1 No 4. Recitative: Stay, my dread sovereign (Sycophant courtier/Alexander/Jonathan) [1:39]
      • Charles Pott (bass), Catherine Denley (contralto), Charles Daniels (tenor)
      • 30 Act 2 Scene 1 No 5. Air: Mighty love now calls to arm (Alexander) [2:36]
      • Catherine Denley (contralto)
      • 31 Act 2 Scene 1 No 6. Air: Hateful man! thy sland'rous tongue (Jonathan) [4:20]
      • Charles Daniels (tenor)
      • CD2
      • 1 Act 2 Scene 1 No 7. Chorus: O calumny, on virtue waiting (Israelites) [4:21]
      • New College Choir Oxford, King's Consort Choir
      • 2 Act 2 Scene 2 No 1. Recitative: Ah! whence these dire forebodings of the mind? (Cleopatra) [0:39]
      • Lynne Dawson (soprano)
      • 3 Act 2 Scene 2 No 2. Air: Tossed from thought to thought I rove (Cleopatra) [6:29]
      • Lynne Dawson (soprano)
      • 4 Act 2 Scene 2 No 3. Recitative: Give to the winds, fair princess, these vain doubts (Aspasia) [0:22]
      • Claron McFadden (soprano)
      • 5 Act 2 Scene 2 No 4. Air: Love, glory, ambition, whate'er can inspire (Aspasia) [2:50]
      • Claron McFadden (soprano)
      • 6 Act 2 Scene 3 No 1. Recitative: Thus far my wishes thrive (Ptolomee) [0:54]
      • Michael George (bass)
      • 7 Act 2 Scene 3 No 2. Air: Virtue, thou ideal name (Ptolomee) [3:43]
      • Michael George (bass)
      • 8 Act 2 Scene 4 No 1. Accompagnato: Ye happy people, with loud accents speak (Jonathan) [0:37]
      • Charles Daniels (tenor)
      • 9 Act 2 Scene 4 No 2. Soli with chorus: Triumph Hymen in the pair [2:40]
      • Claron McFadden (soprano), Charles Humphries (countertenor), Charles Daniels (tenor), New College Choir Oxford, King's Consort Choir
      • 10 Act 2 Scene 4 No 3. Recitative: Glad time, at length, hath reach'd the happy point (Alexander/Cleopatra) [0:48]
      • Catherine Denley (contralto), Lynne Dawson (soprano)
      • 11 Act 2 Scene 4 No 4. Duet: Hail wedded love, mysterious law! (Alexander/Cleopatra) [3:39]
      • Catherine Denley (contralto), Lynne Dawson (soprano)
      • 12 Act 2 Scene 4 No 5. Chorus: Hymen, fair Urania's son (Asiates) [2:27]
      • New College Choir Oxford, King's Consort Choir
      • 13 Act 3 Introduction: Sinfonia [1:15]
      • 14 Act 3 Scene 1 No 1. Recitative: 'Tis true, instinctive nature seldom points (Cleopatra) [0:29]
      • Lynne Dawson (soprano)
      • 15 Act 3 Scene 1 No 2. Air with chorus: Here amid the shady woods (Cleopatra/Ruffians) [4:17]
      • Lynne Dawson (soprano), New College Choir Oxford, King's Consort Choir
      • 16 Act 3 Scene 2 No 1. Recitative: Ah! was it not my Cleopatra's voice? (Alexander) [0:41]
      • Catherine Denley (contralto)
      • 17 Act 3 Scene 2 No 2. Air: Pow'rful guardians of all nature (Alexander) [2:53]
      • Catherine Denley (contralto)
      • 18 Act 3 Scene 2 No 3. Recitative: Treach'ry, O king, unheard of treachery (Jonathan/Alexander/Aspasia) [1:23]
      • Charles Daniels (tenor), Catherine Denley (contralto), Claron McFadden (soprano)
      • 19 Act 3 Scene 2 No 4. Air: Fury, with red sparkling eyes (Alexander) [6:24]
      • Catherine Denley (contralto)
      • 20 Act 3 Scene 2 No 5. Recitative: Gods! can there be a more afflicting sight (Aspasia) [0:24]
      • Claron McFadden (soprano)
      • 21 Act 3 Scene 2 No 6. Air: Strange reverse of human fate (Aspasia) [2:50]
      • Claron McFadden (soprano)
      • 22 Act 3 Scene 2 No 7. Recitative: May he return with laurel'd victory (Jonathan) [0:26]
      • Charles Daniels (tenor)
      • 23 Act 3 Scene 2 No 8. Air: To God who made the radiant sun (Jonathan) [3:13]
      • Charles Daniels (tenor)
      • 24 Act 3 Scene 2 No 9. Chorus: Sun, moon, and stars, and all ye Host of Heav'n (Israelites) [2:51]
      • New College Choir Oxford, King's Consort Choir
      • 25 Act 3 Scene 3 No 1. Recitative: Yes he was false, my daughter, false to you (Jonathan/Cleopatra) [1:19]
      • Charles Daniels (tenor), Lynne Dawson (soprano)
      • 26 Act 3 Scene 3 No 2. Accompagnato: Ungrateful child, by ev'ry sacred pow'r (Ptolomee) [0:26]
      • Michael George (bass)
      • 27 Act 3 Scene 3 No 3. Air: O sword, and thou, all-daring hand (Ptolomee) [2:50]
      • Michael George (bass)
      • 28 Act 3 Scene 4 No 1. Accompagnato: Shall Cleopatra ever smile again? (Cleopatra) [0:43]
      • Lynne Dawson (soprano)
      • 29 Act 3 Scene 4 No 2. Recitative: Ungrateful tidings to the royal ear (Messenger) [1:23]
      • Tom Raskin (tenor)
      • 30 Act 3 Scene 4 No 3. Air: O take me from this hateful light (Cleopatra) [5:17]
      • Lynne Dawson (soprano)
      • 31 Act 3 Scene 4 No 4. Recitative: Forgive, O queen, the messenger of ill! (Second messenger/Cleopatra) [1:23]
      • Simon Birchall (bass), Lynne Dawson (soprano)
      • 32 Act 3 Scene 4 No 5. Accompagnato: Calm thou my soul (Cleopatra) [0:47]
      • Lynne Dawson (soprano)
      • 33 Act 3 Scene 4 No 6. Air: Convery me to some peaceful shore (Cleopatra) [2:41]
      • Lynne Dawson (soprano)
      • 34 Act 3 Scene 5 No 1. Recitative: Mysterious are thy ways, O Providence! (Jonathan) [1:20]
      • Charles Daniels (tenor)
      • 35 Act 3 Scene 5 No 2. Chorus with solo: Ye servants of th' eternal King (Jonathan/Israelites) [3:20]
      {{soundFile=http://www.ccd.pl/sample/CDA67241/01.mp3,http://www.ccd.pl/sample/CDA67241/02.mp3,http://www.ccd.pl/sample/CDA67241/03.mp3,http://www.ccd.pl/sample/CDA67241/04.mp3,http://www.ccd.pl/sample/CDA67241/05.mp3&titles=1 Act 1 Ouverture: [Grave] – Allegro [2:51],2 Act 1 Scene 1 No 01. Chorus: Flush'd with conquest fir'd by Mithra (Asiates) [3:11] , 3 Act 1 Scene 1 No 02. Recitative: Thus far ye glorious partners of the war (Alexander/Jonathan) [1:28], 4 Act 1 Scene 1 No 03. Air: Great Author of this harmony (Jonathan) [3:17], 5 Act 1 Scene 1 No 04: Flourish of trumpets [0:11] }}
    • Ottone, Re di Germania
    • HANDEL
      Ottone, Re di Germania
      The King’s Consort
      Robert King
      28,00 €
      • Ottone, Re di Germania
      • CD1
      • 1 Act 1 No 1. Overture: Grave – Allegro – Gavotte [5:05]
      • 2 Act 1 Scene 01 No 1. Aria: Pur che regni il figlio amato (Gismonda) [2:51]
      • 3 Act 1 Scene 01 No 2. Recitativo: Chi più lieto è di me? (Adelberto/Gismonda) [1:59]
      • 4 Act 1 Scene 01 No 3. Aria: La speranza è giunta in porto (Gismonda) [3:16]
      • 5 Act 1 Scene 02 No 1. Recitativo: Vien di Romano inclita figlia (Adelberto/Teofane) [1:30]
      • 6 Act 1 Scene 02 No 2. Aria: Bel labbro, formato (Adelberto) [4:37]
      • 7 Act 1 Scene 03 No 1. Recitativo: È tale Otton? (Teofane) [1:03]
      • 8 Act 1 Scene 03 No 2. Aria: Falsa imagine (Teofane) [5:42]
      • 9 Act 1 Scene 03 No 3: Concerto [2:39]
      • 10 Act 1 Scene 04 No 1. Recitativo: Te, che assalir le nostre navi osasti (Ottone/Emireno) [1:31]
      • 11 Act 1 Scene 04 No 2. Aria: Del minacciar del vento (Emireno) [4:23]
      • 12 Act 1 Scene 05 No 1. Recitativo: Tutto a più liete cure (Ottone/Matilda) [2:45]
      • 13 Act 1 Scene 05. No 2: Ritorna, o dolce amore (Ottone) [3:53]
      • 14 Act 1 Scene 06 No 1. Recitativo: Anch'io sperai (Matilda) [0:37]
      • 15 Act 1 Scene 06 No 2. Aria: Diresti poi così (Matilda) [6:36]
      • 16 Act 1 Scene 07 No 1. Recitativo: Tu la madre d'Ottone? (Teofane/Gismonda) [1:54]
      • 17 Act 1 Scene 07 No 2. Aria: Pensa ad amare (Gismonda) [3:57]
      • 18 Act 1 Scene 08-09. Recitativo: Adelaide, di ciu con tanta lode (Teofane/Adelberto/Gismonda) [2:23]
      • 19 Act 1 Scene 10. Aria: Affanni del pensier (Teofane) [7:17]
      • 20 Act 1 Scene 11 No 1: Sinfonia [1:00]
      • 21 Act 1 Scene 11 No 2. Aria: Tu puoi straziarmi (Adelberto) [2:18]
      • 22 Act 1 Scene 12 No 1. Recitativo: E' di più mio rival? (Ottone) [0:42]
      • 23 Act 1 Scene 12 No 2. Aria: Dell'onda ai fieri moti (Ottone) [3:13]
      • CD2
      • 1 Act 2 Scene 1-2. Recitativo: Per breve spazio a me colui (Matilda/Adelberto/Gismonda) [1:46]
      • 2 Act 2 Scene 02 No 2. Aria: Lascia, che nel suo viso (Adelberto) [3:14]
      • 3 Act 2 Scene 03 No 1. Recitativo: Ah! che più non resisto (Matilda/Gismonda) [1:45]
      • 4 Act 2 Scene 03 No 2. Aria: Ah! tu non sai (Matilda) [4:30]
      • 5 Act 2 Scene 04 No 1. Recitativo: Ben a ragion Matilda (Gismonda) [0:54]
      • 6 Act 2 Scene 04 No 2. Aria: Vieni, o figlio (Gismonda) [5:46]
      • 7 Act 2 Scene 05 No 1. Recitativo: Quegli, è certo il mio sposo (Teofane/Ottone/Matilda) [2:31]
      • 8 Act 2 Scene 05 No 2. Aria: All'orror d'un duolo eterno (Matilda) [3:10]
      • 9 Act 2 Scene 06 No 1. Recitativo: O illustre Teofane che tal ti scuopre (Ottone/Teofane) [1:28]
      • 10 Act 2 Scene 06 No 2. Aria: Alla fama, dimmi il vero (Teofane) [4:11]
      • 11 Act 2 Scene 07 No 1. Recitativo: Con gelosi sospetti (Ottone) [0:27]
      • 12 Act 2 Scene 07 No 2. Aria: Dopo l'orrore (Ottone) [4:23]
      • 13 Act 2 Scene 08 No 1. Accompagnato: O grati orrori, o solitarie piante! (Teofane) [2:43]
      • 14 Act 2 Scene 08 No 2. Aria: S'io dir potessi (Teofane) [4:20]
      • 15 Act 2 Scene 09 No 1. Recitativo: Del gran sasso alla mole questo braccio (Emireno/Adelberto) [1:08]
      • 16 Act 2 Scene 09 No 2. Aria: Le profonde vie dell' onde (Emireno) [2:10]
      • 17 Act 2 Scene 10 No 1. Recitativo: Odo gente, dell'antro ripiglierò (Adelbert/Matilda/Ottone/Teofane) [2:02]
      • 18 Act 2 Scene 10 No 2. Aria: Deh! non dir, che molle amante (Ottone) [4:32]
      • 19 Act 2 Scene 11-12. Recitativo: Già d'ogni intorno alto silenzio regna (Emireno/Adelberto/Teofane) [1:36]
      • 20 Act 2 Scene 12 No 2. Duetto: Notte cara, a te si deve (Gismonda/Matilda) [4:25]
      • CD3
      • 1 Act 3 Scene 1 No 1. Aria: Dove sei? dolce mia vita! (Ottone) [2:25]
      • 2 Act 3 Scene 1 No 2. Recitativo: Già t'invola, tiranno (Gismonda/Ottone) [1:38]
      • 3 Act 2 Scene 01 No 3. Aria: Trema, tiranno (Gismonda) [2:55]
      • 4 Act 3 Scene 2 No 1. Accompagnato: Io son tradito (Ottone) [1:45]
      • 5 Act 3 Scene 2 No 2. Aria: Tanti affanni [7:06]
      • 6 Act 3 Scene 3 No 1. Recitativo: Empi! al vostro attentato (Teofane/Adelberto/Emireno) [0:46]
      • 7 Act 3 Scene 3 No 2. Aria: D'innalzar i flutti al ciel (Adelberto) [3:56]
      • 8 Act 3 Scene 4-5. Recitativo: Perchè in vita tornai? (Teofane/Emireno/Adelberto) [2:10]
      • 9 Act 3 Scene 5 No 2. Aria: Nò, non temere, oh bella! (Emireno) [3:30]
      • 10 Act 3 Scene 6 No 1. Recitativo: Si mi traete, alme malvagie (Teofane) [0:41]
      • 11 Act 3 Scene 6 No 2. Aria: Benchè mi sia crudele (Teofane) [5:23]
      • 12 Act 3 Scene 7 No 1. Recitativo: Uno de' servi miei (Matilda/Ottone/Gismonda) [1:47]
      • 13 Act 3 Scene 7 No 2. Aria: Nel suo sangue (Matilda) [2:35]
      • 14 Act 3 Scene 8. Recitativo: Matilda, arresta il piede (Emireno/Adelberto/Gismonda/Matilda/Ottone) [2:56]
      • 15 Act 3 Scene 9 No 1. Duetto: A' teneri affetti (Teofane/Ottone) [3:49]
      • 16 Act 3 Scene 9 No 2: Ma qual caso (Ottone/Teofane/Emireno/Adelberto/Gismonda/Matilda) [1:15]
      • 17 Act 3 Scene 9 No 3. Coro: Faccia ritorno l'antica pace [1:40]
      {{soundFile=http://www.ccd.pl/sample/CDA66751/01.mp3,http://www.ccd.pl/sample/CDA66751/02.mp3,http://www.ccd.pl/sample/CDA66751/03.mp3,http://www.ccd.pl/sample/CDA66751/04.mp3,http://www.ccd.pl/sample/CDA66751/05.mp3&titles=1 Act 1 No 1. Overture: Grave – Allegro – Gavotte [5:05] ,2 Act 1 Scene 01 No 1. Aria: Pur che regni il figlio amato (Gismonda) [2:51],3 Act 1 Scene 01 No 2. Recitativo: Chi più lieto è di me? (Adelberto/Gismonda) [1:59], 4 Act 1 Scene 01 No 3. Aria: La speranza è giunta in porto (Gismonda) [3:16] ,5 Act 1 Scene 02 No 1. Recitativo: Vien di Romano inclita figlia (Adelberto/Teofane) [1:30] }}
    • Joseph and his Brethren
    • HANDEL
      Joseph and his Brethren
      Robert King
      The King’s Consort
      26,00 €
      • Joseph and his brethren
      • CD1
      • 1 Part 1 Overture: Andante – Larghetto – Allegro – Menuet [6:55]
      • 2 Part 1 Scene 1. Air: Be firm, my soul! nor faint beneath (Joseph) [5:33]
      • 3 Part 1 Scene 2 No 1. Recitative: Joseph, thy fame has reach'd great Pharaoh's ear (Phanor/Joseph) [0:46]
      • 4 Part 1 Scene 2 No 2. Air: Come, divine inspirer, come (Joseph) [5:05]
      • 5 Part 1 Scene 2 No 3. Recitative: Pardon, that I so long forgot thee, Joseph! (Phanor/Joseph) [0:54]
      • 6 Part 1 Scene 2 No 4. Air: Ingratitude's the queen of crimes (Phanor) [2:14]
      • 7 Part 1 Scene 3 No 1. Recitative: Thus, stranger, I have laid my troubled thoughts (Pharaoh/Joseph) [0:40]
      • 8 Part 1 Scene 3 No 2. Chorus: O God of Joseph, gracious shed thy spirit on thy servant's head (Egyptians) [1:45]
      • New College Choir Oxford, King's Consort Choir
      • 9 Part 1 Scene 3 No 3. Accompagnato: Pharaoh, thy dreams are one (Joseph) [2:25]
      • 10 Part 1 Scene 3 No 4. Recitative: Divine interpreter! What oracle (Pharaoh/Joseph) [0:39]
      • 11 Part 1 Scene 3 No 5. Air: O lovely youth, with wisdom crown'd (Asenath) [4:01]
      • 12 Part 1 Scene 3 No 6. Recitative: Wear, worthy man, this Royal signet wear (Pharaoh) [0:33]
      • 13 Part 1 Scene 3 No 7. Chorus: Joyful sounds, melodious strain! (Egyptians) [2:57]
      • New College Choir Oxford, King's Consort Choir
      • 14 Part 1 Scene 4 No 1. Recitative: Whence this unwonted ardourin my breast? (Asenath) [0:23]
      • 15 Part 1 Scene 4 No 2. Air: I feel a spreading flame within my veins (Asenath) [7:16]
      • 16 Part 1 Scene 4 No 3. Recitative: Fair Asenath (Joseph/Pharaoh/Potiphera/Asenath)) [1:08]
      • 17 Part 1 Scene 5 No 1. Duet: Celestial virgin! Godlike youth! (Joseph/Asenath) [2:46]
      • 18 Part 1 Scene 5 No 2. Recitative: Now, Potiphera, instant to the temple (Pharaoh) [0:15]
      • 19 Part 1 Scene 5 No 3: Grand march during the procession [1:28]
      • 20 Part 1 Scene 6 No 1. Recitative: 'Tis done, – the sacred knot is tied (High Priest) [0:12]
      • 21 Part 1 Scene 6 No 2. Chorus: Immortal pleasures crown this pair (Egyptians) [2:19]
      • New College Choir Oxford, King's Consort Choir
      • 22 Part 1 Scene 6 No 3. Recitative: Glorious and happy is thy lot, O Zaphnath! (Pharaoh) [0:12]
      • 23 Part 1 Scene 6 No 4. Air: Since the race of time begun (Pharaoh) [2:25]
      • 24 Part 1 Scene 6 No 5. Chorus: Swift our numbers, swiftly roll (Egyptians) [2:39]
      • New College Choir Oxford, King's Consort Choir
      • CD2
      • 1 Part 2 Scene 1 No 1. Chorus: Hail, thou youth, by Heaven belov'd! (Egyptians) [4:18]
      • New College Choir Oxford, King's Consort Choir
      • 2 Part 2 Scene 1 No 2. Recitative: How vaast a theme has Egypt for applause! (Phanor/Asenath) [1:06]
      • 3 Part 2 Scene 1 No 3. Air: Our fruits, whilst yet in blowwom, die (Asenath) [4:07]
      • 4 Part 2 Scene 1 No 4. Recitative: He's Egypt's common parent, gives her bread (Phanor) [0:17]
      • 5 Part 2 Scene 1 No 5. Chorus: Blest be the man by pow'r unstain'd (Egyptians) [4:06]
      • New College Choir Oxford, King's Consort Choir
      • 6 Part 2 Scene 1 No 6. Recitative: Phanor, we mention not his highest glory! (Asenath/Phanor) [1:28]
      • 7 Part 2 Scene 1 No 7. Air: Together, lovely innocents, grow up (Asenath) [3:05]
      • 8 Part 2 Scene 1 No 8. Recitative: He then is silent, then again exclaims (Asenath) [0:37]
      • 9 Part 2 Scene 2 No 1. Accompagnato: Where are these brethren … why this base delay? (Simeon) [1:56]
      • 10 Part 2 Scene 2 No 2. Air: Remorse, confusion, horror, fear (Simeon) [1:55]
      • 11 Part 2 Scene 3 No 1. Recitative: This Hebrew prisoner (Phanor/Joseph) [0:34]
      • 12 Part 2 Scene 3 No 2. Accompagnato: Ye departed hours (Joseph) [2:03]
      • 13 Part 2 Scene 3 No 3. Air: The peasant tastes the sweets of life (Joseph) [7:45]
      • 14 Part 2 Scene 3 No 4/Scene 4 No 1. Recitative: But Simeon comes (Joseph/Simeon) [3:42]
      • 15 Part 2 Scene 4 No 2. Air: Impostor! Ah! my foul offence (Simeon) [2:56]
      • 16 Part 2 Scene 5 No 1. Recitative: Whence, Asenath, this grief that hangs upon thee (Joseph/Asenath) [0:44]
      • 17 Part 2 Scene 5 No 2. Air: The silver stream, that all its way (Asenath) [4:52]
      • 18 Part 2 Scene 5 No 3/Scene 6 No 1. Recitative: Tell me, O tell me thy heart's malady (Asenath/Joseph/Phanor/Judah) [1:26]
      • 19 Part 2 Scene 6 No 2. Air: To keep afar from all offence (Judah) [3:42]
      • 20 Part 2 Scene 6 No 3. Chorus: Thus one, with ev'ry virtue crown'd (Brethren) [1:03]
      • New College Choir Oxford, King's Consort Choir
      • 21 Part 2 Scene 7 No 1. Accompagnato: Once more, O pious Zaphnath, at thy feet (Reuben/Judah) [1:38]
      • 22 Part 2 Scene 7 No 2. Recitative: This kiss, my gracious Lord (Benjamin/Joseph/Judah) [1:20]
      • 23 Part 2 Scene 7 No 3. Air: Thou deign'st to call thy servant 'son' (Benjamin) [2:23]
      • 24 Part 2 Scene 7 No 4. Recitative: Sweet innocence! divine simplicity! (Joseph/Benjamin/Reuben/Judah) [1:22]
      • 25 Part 2 Scene 7 No 5. Chorus: O God, who in thy heav'nly hand (Brethren) [4:14]
      • New College Choir Oxford, King's Consort Choir
      • CD3
      • 1 Part 3. Sinfonia: Allegro [1:28]
      • 2 Part 3 Scene 1 No 1. Recitative: What say'st thou, Phanor? Prove these strangers then (Asenath/Phanor) [0:27]
      • 3 Part 3 Scene 1 No 2. Air: The wanton favours of the great (Phanor) [1:34]
      • 4 Part 3 Scene 2 No 1. Recitative: Whence so disturb'd, my Lord? Let not the crime (Asenath/Joseph) [0:46]
      • 5 Part 3 Scene 2 No 2. Air: Ah Jealousy, thou pelican (Asenath) [4:39]
      • 6 Part 3 Scene 2 No 3. Recitative: O wrong me not! thy Zaphnath never harbour'd (Joseph/Asenath) [1:20]
      • 7 Part 3 Scene 2 No 4. Air: The people's favour, and the smiles of pow'r (Joseph) [3:28]
      • 8 Part 3 Scene 2 No 5. Recitative: Art thou not Zaphnath? Is not Egypt sav'd (Asenath) [0:25]
      • 9 Part 3 Scene 2 No 6. Air: Prophetic raptures swell my breast (Asenath) [7:27]
      • 10 Part 3 Scene 2 No 7/Scene 3/Scene 4 No 1. Recitative: They come, – and indignation in their looks (Joseph/Simeon/Phanor/Benjamin) [1:30]
      • 11 Part 3 Scene 4 No 2. Accompagnato: What! without me? Ah, how return in peace! (Benjamin) [0:52]
      • 12 Part 3 Scene 4 No 3. Arioso: O pity! (Benjamin/Joseph) [2:49]
      • 13 Part 3 Scene 4 No 4. Recitative: To prison with him! (Joseph/Simeon/Reuben) [1:50]
      • 14 Part 3 Scene 4 No 5. Arioso: O gracious God (Simeon) [1:15]
      • John Mark Ainsley (tenor)
      • 15 Part 3 Scene 4 No 6. Chorus: Eternal Monarch of the sky (Brethren) [3:16]
      • New College Choir Oxford, King's Consort Choir
      • 16 Part 3 Scene 5 No 1: But peace, Zaphnath returns (Simeon/Joseph/Judah) [1:50]
      • 17 Part 3 Scene 5 No 2. Air: Thou hadst, my Lord (Simeon) [1:58]
      • 18 Part 3 Scene 5 No 3. Recitative: Give, give him up the lad (Simeon) [0:56]
      • 19 Part 3 Scene 5 No 4. Recitative: I can no longer (Joseph/Brethren) [1:31]
      • 20 Part 3 Scene 6 No 1. Recitative: While the Nile and Memphis (Asenath/Joseph) [0:45]
      • 21 Part 3 Scene 6 No 2. Duet: What's sweeter than the new-blown rose (Asenath/Joseph) [2:54]
      • 22 Part 3 Scene 6 No 3. Recitative: With songs of ardent gratitude and praise (Joseph) [0:19]
      • 23 Part 3 Scene 6 No 4. Chorus: Alleluia. We will rejoice in thy salvation [2:01]
      {{soundFile=http://www.ccd.pl/sample/CDA67171/01.mp3,http://www.ccd.pl/sample/CDA67171/02.mp3,http://www.ccd.pl/sample/CDA67171/03.mp3,http://www.ccd.pl/sample/CDA67171/04.mp3,http://www.ccd.pl/sample/CDA67171/05.mp3&titles=1 Part 1 Overture: Andante – Larghetto – Allegro – Menuet [6:55] ,2 Part 1 Scene 1. Air: Be firm my soul! nor faint beneath (Joseph) [5:33] ,3 Part 1 Scene 2 No 1. Recitative: Joseph thy fame has reach'd great Pharaoh's ear (Phanor/Joseph) [0:46],4 Part 1 Scene 2 No 2. Air: Come divine inspirer come (Joseph) [5:05],5 Part 1 Scene 2 No 3. Recitative: Pardon, that I so long forgot thee Joseph! (Phanor/Joseph) [0:54] }}
    • Opera Arias
    • HANDEL
      Opera Arias
      Emma Kirkby
      Brandenburg Consort
      Roy Goodman
      33,00 €
      • Almira, HWV1
      • CD1
      • 1 Overture 2: Second Overture in G minor [4'26]
      • 2 Act 3. Aria: Vedrai s' a tuo dispetto (Almira) [4'39]
      • 3 Act 3. Aria: Perché viva il caro sposa (Esilena) 'Ah, sommi dei, cui la giustizia arruota' [6'06]
      • Rinaldo, HWV7
      • 4 Act 2. Aria: Vo' far guerra, e vincer voglio (Armida) [5'11]
      • Alastair Ross (harpsichord)
      • Silla, HWV10
      • 5 Overture. Movement 1: Largo – Allegro [4'38]
      • 6 Overture. Movement 2: Andante [2'02]
      • Katharina Arfken (oboe)
      • Amadigi di Gaula, HWV11
      • 7 Act 1. Aria: Ah! spietato! e non ti muove (Melissa) 'Il crudel m' abbandona, e mi detesta' [6'05]
      • Katharina Arfken (oboe)
      • 8 Act 2. Aria: Desterò dall' empia Dite (Melissa) 'Mi deride l'amante' [5'30]
      • Robert Farley (trumpet)
      • Giulio Cesare in Egitto, HWV17
      • 9 Act 2. Sinfonia and Aria: V' adoro, pupille (Cleopatra) [5'21]
      • Tamerlano, HWV18
      • 10 Overture. Movement 1: [Largo] – Allegro [2'50]
      • 11 Overture. Movement 2: Adagio – Menuet [1'47]
      • 12 Act 3. Aria: Cor di padre, e cor d' amante (Asteria) [8'24]
      • Rodelinda, regina de' Longobardi, HWV19
      • 13 Act 1. Aria: Ombre, piante, urne funeste! (Rodelinda) [5'39]
      • Rachel Brown (flute)
      • Scipione, HWV20
      • 14 Overture. Movement 1: [Largo] – Allegro [3'52]
      • 15 Overture. Movement 2: Allegro [2'00]
      • 16 Act 1. Interlude: March [1'11]
      • 17 Act 2. Aria: Scoglio d' immota fronte (Berenice) [5'06]
      • CD2
      • 1 Act 1 No 1: Overture [5'04]
      • 2 Act 1 No 2: Sinfonia [2'17]
      • 3 Act 1. Recitative: Che vidi? Che mirai! (Lisaura/Rossane) [1'38]
      • Catherine Bott (soprano)
      • 4 Act 1. Aria: No, più soffrir non voglio (Lisaura) [3'34]
      • Catherine Bott (soprano)
      • 5 Act 1. Aria: Placa l'alma (Rossane/Lisaura) [2'34]
      • Catherine Bott (soprano)
      • 6 Act 2. Recitative: Solitudine amate (Rossane) [2'19]
      • 7 Act 2. Aria: Aure, fonti, ombre gradite (Rossane) [3'32]
      • 8 Act 2. Recitative: Pur troppo veggio d'Alessandro il core (Lisaura) [0'21]
      • Catherine Bott (soprano)
      • 9 Act 2. Aria: Che tirannia d'amor! (Lisaura) [6'51]
      • Catherine Bott (soprano)
      • 10 Act 2. Recitative: Svanisci oh reo timore (Rossane) [0'26]
      • 11 Act 2. Aria: Dica il falso, dica il vero (Rossane) [4'31]
      • Admeto, Re di Tessaglia, HWV22
      • 12 Act 2. Recitative: Il ritratto d'Admeto (Antigona/Alceste) [2'11]
      • Catherine Bott (soprano)
      • 13 Act 2. Aria: La sorte mia vacilla (Antigona) [3'18]
      • Catherine Bott (soprano)
      • 14 Act 2. Recitative: Quest'è dunque la fede? (Alceste) [0'29]
      • 15 Act 2. Aria: Vedrò fra poco (Alceste) [4'12]
      • Riccardo Primo, Re d'Inghilterra, HWV23
      • 16 Act 3. Recitative: Morte vieni, ma in van ti chiamo, oh morte (Costanza) [2'51]
      • Catherine Bott (soprano)
      • 17 Act 3. Recitative: A me nel mio rossore (Pulcheria/Costanza) [1'49]
      • Catherine Bott (soprano)
      • 18 Act 3. Aria: Quando non vede la cara madre (Pulcheria) [5'23]
      • Siroe, Re di Persia, HWV24
      • 19 Act 2. Recitative: A costei, che dirò? (Emira/Laodice) [2'20]
      • Catherine Bott (soprano)
      • 20 Act 2. Aria: L'aura non sempre (Laodice) [3'35]
      • Catherine Bott (soprano)
      • 21 Act 2. Recitative: Si diversi sembianti (Emira) [0'14]
      • 22 Act 2. Aria: Non vi piacque, ingiusti dei (Emira) [5'35]
      • Tolomeo, Re di Egitto, HWV25
      • 23 Act 1. Recitative: E dove, e dove mai? (Seleuce) [0'19]
      • Catherine Bott (soprano)
      • 24 Act 1. Aria: Fonti amiche, aure leggiere (Seleuce) [6'15]
      • Catherine Bott (soprano)
      • 25 Act 3. Aria: Ti pentirai, crudel, d'aver offeso (Elisa) [3'09]
      • Lotario, HWV26
      • CD3
      • 1 Overture: Allegro [5'58]
      • 2 Act 1 Scene 9. Aria: Scherz in mar la navicella (Adelaide) 'Quanto più fien tenaci' [5'27]
      • Partenope, HWV27
      • 3 Act 1 Scene 11. Aria: Io ti levo l'impero dell'armi (Partenope) [6'15]
      • Ezio, HWV29
      • 4 Act 1 Scene 3. Aria: Caro padre, a me non dei [5'17]
      • Rachel Brown (flute)
      • Sosarme, Re di Media, HWV30
      • 5 Act 1 Scene 9. Aria: Dite pace, e fulminate (Elmira) 'O diva Ecate, sian d'effetto vuoti' [5'32]
      • 6 Act 3 Scene 8. Aria: Vorrei, né pur saprei (Elmira) 'Correte pur a fiumi, amare lacrime' [3'14]
      • Atalanta, HWV35
      • 7 Act 1 No 1: Overture [5'41]
      • Robert Farley (trumpet)
      • Arianna in Creta, HWV32
      • 8 Act 2 Scene 2. Aria: Son qual stanco pellegrino (Alceste) [8'13]
      • Angela East (Cello)
      • Alcina, HWV34
      • 9 Act 3 Scene 13. Aria: Ah! Ruggiero crudel, tu non mi amasti! (Alcina) [7'23]
      • Berenice, Regina d'Egitto, HWV38
      • 10 Act 3 Scene 4. Aria: Chi t'intende? o cieca instabile! (Berenice) [8'38]
      • Katharina Arfken (oboe)
      • Deidamia, HWV42
      • 11 Overture: Allegro [3'52]
      • 12 Act 3 Scene 2. Aria: M'hai resa infelice (Deidamia) [3'55]
      {{soundFile=http://www.ccd.pl/sample/CDS44271/01.mp3,http://www.ccd.pl/sample/CDS44271/02.mp3,http://www.ccd.pl/sample/CDS44271/03.mp3&titles=1 Second Overture in G minor [4'26],2 Vedrai s' a tuo dispetto (Almira) [4'39],3 Aria: Perché viva il caro sposa (Esilena) 'Ah sommi dei cui la giustizia arruota' [6'06]}}
    • Angela Hewitt plays Handel and Haydn
    • HANDEL, HAYDN
      Angela Hewitt plays Handel and Haydn
      Angela Hewitt
      14,00 €
      • 1 Chaconne in G major, HWV435 [7'28] George Frideric Handel (1685-1759)
      • Suite No 2 in F major, HWV427 George Frideric Handel (1685-1759)
      • 2 Movement 1: Adagio [3'08]
      • 3 Movement 2: Allegro [2'27]
      • 4 Movement 3: Adagio [2'15]
      • 5 Movement 4: Allegro. Fugue [2'16]
      • Suite No 8 in F minor, HWV433 George Frideric Handel (1685-1759)
      • 6 Movement 1: Prelude [2'40]
      • 7 Movement 2: Fugue [2'44]
      • 8 Movement 3: Allemande [2'56]
      • 9 Movement 4: Courante [2'01]
      • 10 Movement 5: Gigue [2'33]
      • 11 Sonata 'Un piccolo divertimento' 'Variations' in F minor, Hob XVII:6 [16'39]
      • Joseph Haydn (1732-1809)
      • Piano Sonata in E flat major, Hob XVI:52 Joseph Haydn (1732-1809)
      • 12 Movement 1: Allegro moderato [7'59]
      • 13 Movement 2: Adagio [6'22]
      • 14 Movement 3: Finale. Presto [5'52]
      {{soundFile=http://www.ccd.pl/sample/CDA67736/01.mp3,http://www.ccd.pl/sample/CDA67736/02.mp3,http://www.ccd.pl/sample/CDA67736/03.mp3,http://www.ccd.pl/sample/CDA67736/04.mp3,http://www.ccd.pl/sample/CDA67736/05.mp3&titles=1 Chaconne in G major HWV435 [7'28] ,2 Movement 1: Adagio [3'08] ,3 Movement 2: Allegro [2'27] ,4 Movement 3: Adagio [2'15] ,5 Movement 4: Allegro. Fugue [2'16] }}
    • HANDEL <br />Samtliche Sonaten - The Wind Instruments Sonatas <br />Frans Bruggen <br />Anner Bylsma
    • HANDEL
      Samtliche Sonaten – The Wind Instruments Sonatas
      Frans Bruggen
      Anner Bylsma
      90,00 €
      • 1-5. Sonata in C, op.1, No.7 for Recorder and B.c.
      • 6-9. Sonata in A minor, for Transverse Flute and B.c.
      • 10-13. Sonata in A minor, op.1 No.4 for Recorder and B.c.
      • 14-18. Sonata in G, op.1 No.5 for Transverse Flute and B.c.
      • 19-22. Sonata in E minor, op.1 No.1b for Transverse Flute and B.c.
      • 23-26. Sonata in G minor, op.1 No.2 for Recorder and B.c.
      • 27-30. Sonata in B minor for Transverse Flute and B.c.
      • 31-34. Sonata in F op.1 No.11for Recorder and B.c.
      {{soundFile=http://www.ccd.pl/sample/ESSS90056/01.mp3,http://www.ccd.pl/sample/ESSS90056/06.mp3,http://www.ccd.pl/sample/ESSS90056/10.mp3,http://www.ccd.pl/sample/ESSS90056/14.mp3&titles=1-5. Sonata in C op.1 No.7 for Recorder and B.c. ,6-9. Sonata in A minor for Transverse Flute and B.c. ,10-13. Sonata in A minor op.1 No.4 for Recorder and B.c. ,14-18. Sonata in G op.1 No.5 for Transverse Flute and B.c.}}