• Symphony No. 1
    • 56,00 
      Gustav Mahler (1860-1911) Symphony No. 1 in D Major (with 'Blumine') 1. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich 2. Blumine. Andante allegretto 3. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich 4. Feierlich und gemessen, ohne zu schleppen 5. Stürmisch bewegt
    • Cahoots
    • 36,00 
      THE BAND - CAHOOTS 01. Life Is a Carnival (3:56) 02. When I Paint My Masterpiece (4:19)  03. Last Of The Blacksmiths (3:40) 04. Where Do We Go From Here? (3:49)  05. 4% Pantomine (4:33) 06. Shootout In China (2:52) 07. The Moon Struck One (4:07) 08. Thinkin' Out Loud (3:19) 09. Smoke Signal (5:09) 10. Volcano (3:04) 11. River Hymn (4:40) {{soundFile=http://www.ccd.pl/sample/UDSACD2045/01.mp3,http://www.ccd.pl/sample/UDSACD2045/02.mp3,http://www.ccd.pl/sample/UDSACD2045/03.mp3,http://www.ccd.pl/sample/UDSACD2045/04.mp3,http://www.ccd.pl/sample/UDSACD2045/05.mp3&titles=01. Life Is a Carnival (3:56),02. When I Paint My Masterpiece (4:19),03. Last Of The Blacksmiths (3:40),04. Where Do We Go From Here? (3:49),05. 4% Pantomine (4:33)}}
    • Romantic Piano Concerto Vol.7 - Violin Concerto in A minor / Suite de concert, Op 28
    • 14,00 
      • Violin Concerto in A minor, Op 54 Anton Arensky (1861-1906)
      • 1 Part 1: Allegro [5'22]
      • 2 Part 2: Adagio non troppo – Allegro [3'55]
      • 3 Part 3: Tempo di valse [4'39]
      • 4 Part 4: Poco meno mosso – Tempo I – Cadenza – Tempo I [5'28]
      • Suite de concert, Op 28 Sergei Ivanovich Taneyev (1856-1915)
      • 5 Movement 1: Prelude. Grave [6'44]
      • 6 Movement 2: Gavotte. Allegro moderato [5'31]
      • 7 Movement 3: Märchen 'Tale'. Andantino [8'26]
      • 8 Movement 4. Theme: Andantino [1'06]
      • 9 Movement 4. Variation 1: Allegro moderato [1'08]
      • 10 Movement 4. Variation 2: Allegro energico [1'16]
      • 11 Movement 4. Variation 3: Tempo di valse [1'42]
      • 12 Movement 4. Variation 4: Fuga doppia. Allegro molto [1'47]
      • 13 Movement 4. Variation 5: Presto scherzando [0'52]
      • 14 Movement 4. Variation 6: Tempo di mazurka. Allegro con fuoco [1'27]
      • 15 Movement 4. Variazione finale e coda: Andante [3'35]
      • 16 Movement 5: Tarantella. Presto – Più presto [6'45]
      {{soundFile=http://www.ccd.pl/sample/CDA67642/01.mp3,http://www.ccd.pl/sample/CDA67642/02.mp3,http://www.ccd.pl/sample/CDA67642/03.mp3&titles=1 Part 1: Allegro [5'22],2 Part 2: Adagio non troppo – Allegro [3'55],3 Part 3: Tempo di valse [4'39]}}
    • The complete music for violin and orchestra, Vol. 1
    • 14,00 
      • Concerto for flute, violin and orchestra, H252
      • 1 Movement 1: Allegro moderato [5'01]
      • with Janne Thomsen (flute)
      • 2 Movement 2: Adagio [8'10]
      • with Janne Thomsen (flute)
      • 3 Movement 3: Poco allegretto [5'28]
      • with Janne Thomsen (flute)
      • Duo concertante for two violins and orchestra, H264
      • 4 Movement 1: Poco allegro [4'50]
      • with Régis Pasquier (violin)
      • 5 Movement 2: Adagio [6'54]
      • with Régis Pasquier (violin)
      • 6 Movement 3: Allegro [6'00]
      • with Régis Pasquier (violin)
      • Concerto in D major for two violins and orchestra, H329
      • 7 Movement 1: Poco allegro [7'28]
      • with Jennifer Koh (violin)
      • 8 Movement 2: Moderato – Più vivo – Tempo primo [4'33]
      • with Jennifer Koh (violin)
      • 9 Movement 3: Allegro con brio – Vivo. Presto [6'34]
      • with Jennifer Koh (violin)
      {{soundFile=http://www.ccd.pl/sample/CDA67671/01.mp3,http://www.ccd.pl/sample/CDA67671/02.mp3,http://www.ccd.pl/sample/CDA67671/03.mp3&titles=1 1 Movement 1: Allegro moderato [5'01]with Janne Thomsen (flute),2 Movement 2: Adagio [8'10] with Janne Thomsen (flute),3 Movement 3: Poco allegretto [5'28] with Janne Thomsen (flute) }}
    • Cello Sonatas
    • 14,00 
      • Cello Sonata in E major, Op 121 Ignaz Moscheles (1794-1870)
      • 1 Movement 1: Allegro espressivo e appassionato [11'11]
      • 2 Movement 2: Scherzo 'ballabile'. Allegretto quasi allegro [5'43]
      • 3 Movement 3: Ballade 'in böhmische Weise'. Andantino [9'19]
      • 4 Movement 4: Allegro vivace, ma non troppo [6'54]
      • Melodisch-contrapunktische Studien, Op 137 Johann Sebastian Bach (1685-1750) & Ignaz Moscheles (1794-1870)
      • 5 No 4: Andante con moto espressivo 'Well-tempered Klavier II Prelude No 7 in E flat major' [3'22]
      • 6 No 8: Allegro maestoso 'Well-tempered Klavier II Prelude No 6 in D minor' [1'45]
      • 7 No 9: Andante espressivo 'Well-tempered Klavier I Prelude No 4 in C sharp minor' [3'05]
      • Cello Sonata in A major, Op 104 Johann Nepomuk Hummel (1778-1837)
      • 8 Movement 1: Allegro amabile e grazioso [11'02]
      • 9 Movement 2: Romanze. Un poco adagio e con espressione [5'56]
      • 10 Movement 3: Rondo. Allegro vivace un poco [6'09]
      {{soundFile=http://www.ccd.pl/sample/CDA67521/01.mp3,http://www.ccd.pl/sample/CDA67521/02.mp3,http://www.ccd.pl/sample/CDA67521/03.mp3&titles=1 1 Movement 1: Allegro espressivo e appassionato [11'11],2 Movement 2: Scherzo 'ballabile'. Allegretto quasi allegro [5'43],3 Movement 3: Ballade 'in böhmische Weise'. Andantino [9'19]}}
    • Keyboard Music, Vol. 3
    • 12,00 
      • Pièces de clavecin, Book 3
      • 1 13e Ordre No 1: Les Lis naissans [2'23]
      • 2 13e Ordre No 2: Les Rozeaux [3'01]
      • 3 13e Ordre No 3: L'engageante [2'57]13e Ordre No 4.
      • 4 Part 01: Les Folies françoises, ou les Dominos. La Virginité sous le Domino couleur d'invisible [0'27]
      • 5 Part 02: Les Folies françoises, ou les Dominos. La Pudeur sous le Domino de roze [0'30]
      • 6 Part 03: Les Folies françoises, ou les Dominos. L'ardeur sous le domino incarnat [0'27]
      • 7 Part 04: Les Folies françoises, ou les Dominos. L'Esperance sous le Domino vert [0'25]
      • 8 Part 05: Les Folies françoises, ou les Dominos. La Fidélité sous le Domino bleu [0'54]
      • 9 Part 06: Les Folies françoises, ou les Dominos. La Persévérance sous le Domino gris de lin [0'30]
      • 10 Part 07: Les Folies françoises, ou les Dominos. La Langueur sous le Domino violet [0'57]
      • 11 Part 08: Les Folies françoises, ou les Dominos. La Coquéterie sous diférens Dominos [0'21]
      • 12 Part 09: Les Folies françoises, ou les Dominos. Les Vieux Galans et les trésorières suranées sous les Dominos pourpres et feuilles mortes [0'39]
      • 13 Part 10: Les Folies françoises, ou les Dominos. Les Coucous bénévoles sous les Dominos jaunes [0'15]
      • 14 Part 11: Les Folies françoises, ou les Dominos. La Jalousie taciturne sous le Domino gris de maure [1'13]
      • 15 Part 12: Les Folies françoises, ou les Dominos. La Frénésie ou le Désespoir sous le Domino noir [0'31]
      • 16 13e Ordre No 5: L'âme en peine [3'44]
      • 17 14e Ordre No 1: Le Rossignol en amour [6'16]
      • 18 14e Ordre No 2: La Linote éfarouchée [1'50]
      • 19 14e Ordre No 3: Les Fauvétes Plaintives [5'24]
      • 20 14e Ordre No 7: Le Petit-Rien [1'46]
      • Pièces de clavecin, Book 1
      • 21 2e Ordre No 18: Les Idées heureuses [4'23]
      • Pièces de clavecin, Book 3
      • 22 15e Ordre No 2: Le Dodo, ou l'amour au Berçeau [3'57]
      • Pièces de clavecin, Book 2
      • 23 10e Ordre No 2: La Mézangére [4'31]
      • Pièces de clavecin, Book 3
      • 24 19e Ordre No 6: La Muse-Plantine [2'16]
      • Pièces de clavecin, Book 1
      • 25 4e Ordre No 4: Le Réveil-matin [2'43]
      • 26 3e Ordre No 12: La Favorite [4'22]
      • 27 3e Ordre No 13: La Lutine [1'59]
      • Pièces de clavecin, Book 3
      • 28 16e Ordre No 6: La Distraite [1'52]
      • 29 16e Ordre No 2: L'Himen-Amour [4'58]
      • Pièces de clavecin, Book 2
      • 30 07e Ordre No 1: La Ménetou [2'51]
      {{soundFile=http://www.ccd.pl/sample/CDA67520/01.mp3,http://www.ccd.pl/sample/CDA67520/02.mp3,http://www.ccd.pl/sample/CDA67520/03.mp3&titles=1 1 13e Ordre No 1: Les Lis naissans [2'23],2 13e Ordre No 2: Les Rozeaux [3'01],3 13e Ordre No 3: L'engageante [2'57] }}
    • A Scottish Lady Mass
    • 14,00 
      • Scottish Lady Mass
      • 1 Movement 01: Introit. Gaudeamus omnes [2'38]
      • 2 Movement 02: Kyrie. Rex, virginum amator [4'26]
      • 3 Movement 03: Gloria. Per precem [5'36]
      • 4 Movement 04: Gradual. Propter veritatem [2'55]
      • 5 Movement 05: Alleluya. Ave Maria gratia plena [3'44]
      • 6 Movement 06: Alleluya. Virga florem germinavit [3'59]
      • 7 Movement 07: Sequence. Missus Gabriel de celis [6'22]
      • 8 Movement 08: Sequence. Hodierne lux diei [5'13]
      • 9 Movement 09: Offertory. O vere beata sublimis [2'50]
      • 10 Movement 10: Sanctus. Mater mitis [3'57]
      • 11 Movement 11: Sanctus. Christe ierarchia [7'52]
      • 12 Movement 12: Sanctus. Voce vita [5'44]
      • 13 Movement 13: Agnus Dei. Archetipi mundi [4'57]
      • 14 Movement 14: Agnus Dei. Factus homo [3'27]
      • 15 Movement 15: Communion. Principes persecuti sunt [1'41]
      {{soundFile=http://www.ccd.pl/sample/CDA67299/01.mp3,http://www.ccd.pl/sample/CDA67299/02.mp3,http://www.ccd.pl/sample/CDA67299/03.mp3&titles=1 1 Movement 01: Introit. Gaudeamus omnes [2'38],2 Movement 02: Kyrie. Rex, virginum amator [4'26],3 Movement 03: Gloria. Per precem [5'36] }}
    • The London Symphonies
    • 36,00 
      • Symphony No 93 in D major
      • CD1
      • 1 Movement 1: Adagio – Allegro assai [7'16]
      • 2 Movement 2: Largo cantabile [5'34]
      • 3 Movement 3: Menuetto – Trio. Allegro [4'02]
      • 4 Movement 4: Finale. Presto ma non troppo [5'07]
      • Symphony No 94 in G major 'Surprise'
      • 5 Movement 1: Adagio – Vivace assai [8'54]
      • 6 Movement 2: Andante [6'07]
      • 7 Movement 3: Menuetto – Trio. Allegro molto [4'41]
      • 8 Movement 4: Finale. Allegro di molto [4'06]
      • Symphony No 95 in C minor
      • 9 Movement 1: Allegro moderato [6'23]
      • 10 Movement 2: Andante cantabile [5'17]
      • 11 Movement 3: Menuetto – Trio [4'40]
      • 12 Movement 4: Finale. Vivace [3'55]
      • Symphony No 96 in D major 'Miracle'
      • CD2
      • 1 Movement 1: Adagio – Allegro [6'51]
      • 2 Movement 2: Andante [5'54]
      • 3 Movement 3: Menuetto – Trio. Allegretto [5'12]
      • 4 Movement 4: Finale. Vivace [3'22]
      • Symphony No 97 in C major
      • 5 Movement 1: Adagio – Vivace [8'43]
      • 6 Movement 2: Adagio ma non troppo [7'32]
      • 7 Movement 3: Menuetto – Trio. Allegretto [3'46]
      • 8 Movement 4: Finale. Presto assai [5'08]
      • Symphony No 98 in B flat major
      • 9 Movement 1: Adagio – Allegro [8'29]
      • 10 Movement 2: Adagio [4'58]
      • 11 Movement 3: Menuetto – Trio. Allegro [5'17]
      • 12 Movement 4: Finale. Presto [8'14]
      • Symphony No 99 in E flat major
      • CD3
      • 1 Movement 1: Adagio – Vivace assai [8'53] English Français Deutsch
      • 2 Movement 2: Adagio [8'24]
      • 3 Movement 3: Menuetto – Trio. Allegretto [5'27]
      • 4 Movement 4: Finale. Vivace [4'29]
      • Symphony No 100 in G major 'Military'
      • 5 Movement 1: Adagio – Allegro [7'41]
      • 6 Movement 2: Allegretto [5'51]
      • 7 Movement 3: Menuetto – Trio. Moderato [4'47]
      • 8 Movement 4: Finale. Presto [5'20]
      • Symphony No 101 in D major 'The Clock'
      • 9 Movement 1: Adagio – Presto [7'50]
      • 10 Movement 2: Andante [7'02]
      • 11 Movement 3: Menuetto – Trio. Allegretto [7'28]
      • 12 Movement 4: Finale. Vivace [4'39]
      • Symphony No 102 in B flat major
      • CD4
      • 1 Movement 1: Largo – Vivace [8'02]
      • 2 Movement 2: Adagio [5'20]
      • 3 Movement 3: Menuetto – Trio. Allegro [5'18]
      • 4 Movement 4: Finale. Presto [4'29]
      • Symphony No 103 in E flat major 'Drumroll'
      • 5 Movement 1: Adagio – Allegro con spirito [8'27]
      • 6 Movement 2: Andante più tosto Allegretto [9'36]
      • 7 Movement 3: Menuetto – Trio [4'41]
      • 8 Movement 4: Finale. Allegro con spirito [5'29]
      • Symphony No 104 in D major 'London'
      • 9 Movement 1: Adagio – Allegro [8'43]
      • 10 Movement 2: Andante [7'40]
      • 11 Movement 3: Menuetto – Trio. Allegro [4'55]
      • 12 Movement 4: Finale. Spiritoso [6'43]
      {{soundFile=http://www.ccd.pl/sample/CDS44371/01.mp3,http://www.ccd.pl/sample/CDS44371/02.mp3,http://www.ccd.pl/sample/CDS44371/03.mp3&titles=1 1 Movement 1: Adagio – Allegro assai [7'16],2 Movement 2: Largo cantabile [5'34],3 Movement 3: Menuetto – Trio. Allegro [4'02]}}
    • Opera Arias
    • 33,00 
      • Almira, HWV1
      • CD1
      • 1 Overture 2: Second Overture in G minor [4'26]
      • 2 Act 3. Aria: Vedrai s' a tuo dispetto (Almira) [4'39]
      • 3 Act 3. Aria: Perché viva il caro sposa (Esilena) 'Ah, sommi dei, cui la giustizia arruota' [6'06]
      • Rinaldo, HWV7
      • 4 Act 2. Aria: Vo' far guerra, e vincer voglio (Armida) [5'11]
      • Alastair Ross (harpsichord)
      • Silla, HWV10
      • 5 Overture. Movement 1: Largo – Allegro [4'38]
      • 6 Overture. Movement 2: Andante [2'02]
      • Katharina Arfken (oboe)
      • Amadigi di Gaula, HWV11
      • 7 Act 1. Aria: Ah! spietato! e non ti muove (Melissa) 'Il crudel m' abbandona, e mi detesta' [6'05]
      • Katharina Arfken (oboe)
      • 8 Act 2. Aria: Desterò dall' empia Dite (Melissa) 'Mi deride l'amante' [5'30]
      • Robert Farley (trumpet)
      • Giulio Cesare in Egitto, HWV17
      • 9 Act 2. Sinfonia and Aria: V' adoro, pupille (Cleopatra) [5'21]
      • Tamerlano, HWV18
      • 10 Overture. Movement 1: [Largo] – Allegro [2'50]
      • 11 Overture. Movement 2: Adagio – Menuet [1'47]
      • 12 Act 3. Aria: Cor di padre, e cor d' amante (Asteria) [8'24]
      • Rodelinda, regina de' Longobardi, HWV19
      • 13 Act 1. Aria: Ombre, piante, urne funeste! (Rodelinda) [5'39]
      • Rachel Brown (flute)
      • Scipione, HWV20
      • 14 Overture. Movement 1: [Largo] – Allegro [3'52]
      • 15 Overture. Movement 2: Allegro [2'00]
      • 16 Act 1. Interlude: March [1'11]
      • 17 Act 2. Aria: Scoglio d' immota fronte (Berenice) [5'06]
      • CD2
      • 1 Act 1 No 1: Overture [5'04]
      • 2 Act 1 No 2: Sinfonia [2'17]
      • 3 Act 1. Recitative: Che vidi? Che mirai! (Lisaura/Rossane) [1'38]
      • Catherine Bott (soprano)
      • 4 Act 1. Aria: No, più soffrir non voglio (Lisaura) [3'34]
      • Catherine Bott (soprano)
      • 5 Act 1. Aria: Placa l'alma (Rossane/Lisaura) [2'34]
      • Catherine Bott (soprano)
      • 6 Act 2. Recitative: Solitudine amate (Rossane) [2'19]
      • 7 Act 2. Aria: Aure, fonti, ombre gradite (Rossane) [3'32]
      • 8 Act 2. Recitative: Pur troppo veggio d'Alessandro il core (Lisaura) [0'21]
      • Catherine Bott (soprano)
      • 9 Act 2. Aria: Che tirannia d'amor! (Lisaura) [6'51]
      • Catherine Bott (soprano)
      • 10 Act 2. Recitative: Svanisci oh reo timore (Rossane) [0'26]
      • 11 Act 2. Aria: Dica il falso, dica il vero (Rossane) [4'31]
      • Admeto, Re di Tessaglia, HWV22
      • 12 Act 2. Recitative: Il ritratto d'Admeto (Antigona/Alceste) [2'11]
      • Catherine Bott (soprano)
      • 13 Act 2. Aria: La sorte mia vacilla (Antigona) [3'18]
      • Catherine Bott (soprano)
      • 14 Act 2. Recitative: Quest'è dunque la fede? (Alceste) [0'29]
      • 15 Act 2. Aria: Vedrò fra poco (Alceste) [4'12]
      • Riccardo Primo, Re d'Inghilterra, HWV23
      • 16 Act 3. Recitative: Morte vieni, ma in van ti chiamo, oh morte (Costanza) [2'51]
      • Catherine Bott (soprano)
      • 17 Act 3. Recitative: A me nel mio rossore (Pulcheria/Costanza) [1'49]
      • Catherine Bott (soprano)
      • 18 Act 3. Aria: Quando non vede la cara madre (Pulcheria) [5'23]
      • Siroe, Re di Persia, HWV24
      • 19 Act 2. Recitative: A costei, che dirò? (Emira/Laodice) [2'20]
      • Catherine Bott (soprano)
      • 20 Act 2. Aria: L'aura non sempre (Laodice) [3'35]
      • Catherine Bott (soprano)
      • 21 Act 2. Recitative: Si diversi sembianti (Emira) [0'14]
      • 22 Act 2. Aria: Non vi piacque, ingiusti dei (Emira) [5'35]
      • Tolomeo, Re di Egitto, HWV25
      • 23 Act 1. Recitative: E dove, e dove mai? (Seleuce) [0'19]
      • Catherine Bott (soprano)
      • 24 Act 1. Aria: Fonti amiche, aure leggiere (Seleuce) [6'15]
      • Catherine Bott (soprano)
      • 25 Act 3. Aria: Ti pentirai, crudel, d'aver offeso (Elisa) [3'09]
      • Lotario, HWV26
      • CD3
      • 1 Overture: Allegro [5'58]
      • 2 Act 1 Scene 9. Aria: Scherz in mar la navicella (Adelaide) 'Quanto più fien tenaci' [5'27]
      • Partenope, HWV27
      • 3 Act 1 Scene 11. Aria: Io ti levo l'impero dell'armi (Partenope) [6'15]
      • Ezio, HWV29
      • 4 Act 1 Scene 3. Aria: Caro padre, a me non dei [5'17]
      • Rachel Brown (flute)
      • Sosarme, Re di Media, HWV30
      • 5 Act 1 Scene 9. Aria: Dite pace, e fulminate (Elmira) 'O diva Ecate, sian d'effetto vuoti' [5'32]
      • 6 Act 3 Scene 8. Aria: Vorrei, né pur saprei (Elmira) 'Correte pur a fiumi, amare lacrime' [3'14]
      • Atalanta, HWV35
      • 7 Act 1 No 1: Overture [5'41]
      • Robert Farley (trumpet)
      • Arianna in Creta, HWV32
      • 8 Act 2 Scene 2. Aria: Son qual stanco pellegrino (Alceste) [8'13]
      • Angela East (Cello)
      • Alcina, HWV34
      • 9 Act 3 Scene 13. Aria: Ah! Ruggiero crudel, tu non mi amasti! (Alcina) [7'23]
      • Berenice, Regina d'Egitto, HWV38
      • 10 Act 3 Scene 4. Aria: Chi t'intende? o cieca instabile! (Berenice) [8'38]
      • Katharina Arfken (oboe)
      • Deidamia, HWV42
      • 11 Overture: Allegro [3'52]
      • 12 Act 3 Scene 2. Aria: M'hai resa infelice (Deidamia) [3'55]
      {{soundFile=http://www.ccd.pl/sample/CDS44271/01.mp3,http://www.ccd.pl/sample/CDS44271/02.mp3,http://www.ccd.pl/sample/CDS44271/03.mp3&titles=1 Second Overture in G minor [4'26],2 Vedrai s' a tuo dispetto (Almira) [4'39],3 Aria: Perché viva il caro sposa (Esilena) 'Ah sommi dei cui la giustizia arruota' [6'06]}}
    • Blonde on Blonde
    • 44,00 
      Bob Dylan - Blonde on Blonde 01. Rainy Day Women #12 & 35 (4:38) 02. Pledging My Time (3:50) 03. Visions of Johanna (7:34) 04. One of Us Must Know (Sooner or Later) (4:56) 05. I Want You (3:08) 06. Stuck Inside of Mobile With the Memphis Blues Again (7:06) 07. Leopard-Skin Pill-Box Hat (4:00) 08. Just Like a Woman (4:54) 09. Most Likely You Go Your Way and I'll Go Mine (3:30) 10. Temporary Like Achilles (5:07) 11. Absolutely Sweet Marie (4:57) 12. 4th Time Around (4:37) 13. Obviously Five Believers (3:37) 14. Sad-Eyed Lady of the Lowlands (11:20) {{soundFile=http://www.ccd.pl/sample/4633692/01.mp3,http://www.ccd.pl/sample/4633692/02.mp3,http://www.ccd.pl/sample/4633692/03.mp3,http://www.ccd.pl/sample/4633692/04.mp3,http://www.ccd.pl/sample/4633692/05.mp3,http://www.ccd.pl/sample/4633692/06.mp3,http://www.ccd.pl/sample/4633692/07.mp3&titles=01. Rainy Day Women #12 and 35 (4:38),02. Pledging My Time (3:50),03. Visions of Johanna (7:34),04. One of Us Must Know (Sooner or Later) (4:56),05. I Want You (3:08),06. Stuck Inside of Mobile With the Memphis Blues Again (7:06),07. Leopard-Skin Pill-Box Hat (4:00)}}
    • Symphony No. 1 'Der Titan'
    • 110,00 
      Mahler, Gustav - Symphony No 1 ~ Chicago SO, Tennstedt 01. 1 - Langsam. Schleppend - Im Anfang sehr gemachlich (18:13) 02. 2 - Kraftig bewegt, doch nocht zu schnell (8:26) 03. 3 - Feierlich und femessen, ohne zu schleppen (11:35) 04. 4 - Sturmisch bewegt (22:42) {{soundFile=http://www.ccd.pl/sample/TOCE90065/02.mp3,http://www.ccd.pl/sample/TOCE90065/03.mp3,http://www.ccd.pl/sample/TOCE90065/04.mp3&titles=02. 2 - Kraftig bewegt doch nocht zu schnell (8:26),03. 3 - Feierlich und femessen ohne zu schleppen (11:35),04. 4 - Sturmisch bewegt (22:42)}}
    • Symphonies
    • 42,00 
      • Symphony No 1 in C major, Op 21
      • CD1
      • 1 Movement 1: Adagio molto – Allegro con brio [8'44]
      • 2 Movement 2: Andante cantabile con moto [7'38]
      • 3 Movement 3: Menuetto. Allegro molto e vivace [4'02]
      • 4 Movement 4: Adagio – Allegro molto e vivace [5'45]
      • Symphony No 2 in D major, Op 36
      • 5 Movement 1: Adagio molto – Allegro con brio [12'11]
      • 6 Movement 2: Larghetto [10'05]
      • 7 Movement 3: Scherzo. Allegro [4'47]
      • 8 Movement 4: Allegro molto [6'12]
      • Symphony No 3 in E flat major 'Eroica', Op 55
      • CD2
      • 1 Movement 1: Allegro con brio [16'40]
      • 2 Movement 2: Marcia funebre. Adagio assai [14'01]
      • 3 Movement 3: Scherzo. Allegro vivace [5'22]
      • 4 Movement 4: Finale. Allegro molto – Poco andante – Presto [10'58]
      • Symphony No 4 in B flat major, Op 60
      • 5 Movement 1: Adagio – Allegro vivace [11'03]
      • 6 Movement 2: Adagio [8'18]
      • 7 Movement 3: Menuetto. Allegro vivace [5'25]
      • 8 Movement 4: Allegro ma non troppo [6'47]
      • Symphony No 5 in C minor, Op 67
      • CD3
      • 1 Movement 1: Allegro con brio [7'04]
      • 2 Movement 2: Andante con moto [8'44]
      • 3 Movement 3: Scherzo. Allegro [4'55]
      • 4 Movement 4: Allegro – Presto [10'42]
      • Symphony No 6 in F major 'Pastoral', Op 68
      • 5 Movement 1: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo [11'31]
      • 6 Movement 2: Szene am Bach. Andante molto mosso [11'31]
      • 7 Movement 3: Lustiges Zusammensein der Landleute. Allegro [4'56]
      • 8 Movement 4: Donner – Sturm. Allegro [3'25]
      • 9 Movement 5: Hirtengesang 'Frohe, dankbare Gefühle nach dem Sturm'. Allegretto [8'39]
      • Symphony No 7 in A major, Op 92
      • CD4
      • 1 Movement 1: Poco sostenuto – Vivace [13'19]
      • 2 Movement 2: Allegretto [8'03]
      • 3 Movement 3: Presto – Assai meno presto [8'08]
      • 4 Movement 4: Allegro con brio [8'47]
      • Symphony No 8 in F major, Op 93
      • 5 Movement 1: Allegro vivace e con brio [8'58]
      • 6 Movement 2: Allegretto scherzando [4'05]
      • 7 Movement 3: Tempo di menuetto [5'59]
      • 8 Movement 4: Allegro vivace [7'16]
      • Symphony No 9 in D minor 'Choral', Op 125
      • CD5
      • 1 Movement 1: Allegro ma non troppo, un poco maestoso [14'14]
      • Philharmonia Orchestra
      • 2 Movement 2: Molto vivace [13'18]
      • Philharmonia Orchestra
      • 3 Movement 3: Adagio molto e cantabile [12'41]
      • Philharmonia Orchestra
      • 4 Movement 4: Presto – Allegro assai 'Ode to Joy' [21'17]
      • Janice Watson (soprano), Catherine Wyn-Rogers (mezzo-soprano), Stuart Skelton (tenor), Detlef Roth (bass), Edinburgh Festival Chorus, Philharmonia Orchestra
      {{soundFile=http://www.ccd.pl/sample/UCGG9524/01.mp3&titles= MIX - mp3 quality}}
    • Complete Ayres for the Theatre
    • 32,00 
      • The Prophetess, or The History of Dioclesian, Z627
      • CD1 1 Suite. Movement 1: Overture [3'58]
      • 2 Suite. Movement 2: Preludio [2'12]
      • 3 Suite. Movement 3: Song Tune 'Let the soldiers rejoice' [1'12]
      • 4 Suite. Movement 4: Trumpet Tune [0'55]
      • 5 Suite. Movement 5: Country Dance [1'28]
      • 6 Suite. Movement 6: Air [0'56]
      • 7 Suite. Movement 7: Hornpipe [1'03]
      • 8 Suite. Movement 8: Air. Trumpet Tune [0'27]
      • 9 Suite. Movement 9: Canaries [0'51]
      • King Arthur, or The British Worthy, Z628
      • 10 Suite. Movement 01: Overture [3'38]
      • 11 Suite. Movement 02: Air [1'06]
      • 12 Suite. Movement 03: Air [1'18]
      • 13 Suite. Movement 04: Song Tune 'Fairest Isle' [1'35]
      • 14 Suite. Movement 05: Hornpipe [0'42]
      • 15 Suite. Movement 06: Hornpipe 'Come, shepherds' [0'49]
      • 16 Suite. Movement 07: Song Tune 'How blest are shepherds' [1'27]
      • 17 Suite. Movement 08: Air [1'36]
      • 18 Suite. Movement 09: Song Tune 'Round thy coasts' [1'12]
      • 19 Suite. Movement 10: Song Tune 'Come if you dare' [1'12]
      • 20 Suite. Movement 11: Trumpet Tune [0'44]
      • 21 Suite. Movement 12: Trumpet Tune [1'05]
      • 22 Suite. Movement 13: Chaconne [3'17]
      • The Fairy Queen, Z629
      • 23 Suite. Movement 01: Overture [2'33]
      • 24 Suite. Movement 02: Hornpipe [0'57]
      • 25 Suite. Movement 03: Air [1'07]
      • 26 Suite. Movement 04: Air [0'53]
      • 27 Suite. Movement 05: Rondeau [1'50]
      • 28 Suite. Movement 06: Preludio [1'54]
      • 29 Suite. Movement 07: Hornpipe [1'03]
      • 30 Suite. Movement 08: Overture. Symphony while the Swans Come Forward [2'00]
      • 31 Suite. Movement 09: Song Tune 'If love's a sweet passion' [1'34]
      • 32 Suite. Movement 10: Jig [1'07]
      • 33 Suite. Movement 11: Dance for the Fairies [0'57]
      • 34 Suite. Movement 12: Air 4 in 2. Dance for the Followers of Night [2'15]
      • 35 Suite. Movement 13: Song Tune 'Sing while we trip it' [1'11]
      • 36 Suite. Movement 14: Air [1'26]
      • 37 Suite. Movement 15: Air [1'32]
      • 38 Suite. Movement 16: Song Tune 'Thus happy and free' [1'02]
      • 39 Suite. Movement 17: Chaconne. Dance for the Chinese Man and Woman [2'39]
      • 40 Suite. Movement 18: Air [1'32]
      • The Indian Queen, Z630
      • 41 Suite. Movement 01: Overture [3'17]
      • 42 Suite. Movement 02: Trumpet Tune [0'35]
      • 43 Suite. Movement 03: Trumpet Tune. I come to sing great Zempoalla's story [1'13]
      • 44 Suite. Movement 04: Air [1'13]
      • 45 Suite. Movement 05: Hornpipe [0'50]
      • 46 Suite. Movement 06: Air [0'57]
      • 47 Suite. Movement 07: Hornpipe [1'00]
      • 48 Suite. Movement 08: Air [1'00]
      • 49 Suite. Movement 09: Song Tune 'We the spirits of the air' [1'01]
      • 50 Suite. Movement 10: Rondeau [1'46]
      • The Married Beau, or The Curious Impertinent, Z603
       
      • CD2 1 Suite. Movement 1: Overture [2'56]
      • 2 Suite. Movement 2: Slow Air [0'58]
      • 3 Suite. Movement 3: Hornpipe [0'40]
      • 4 Suite. Movement 4: Air [1'21]
      • 5 Suite. Movement 5: Hornpipe [0'38]
      • 6 Suite. Movement 6: Jig [1'17]
      • 7 Suite. Movement 7: Trumpet Air [1'32]
      • 8 Suite. Movement 8: March [1'13]
      • 9 Suite. Movement 9: Hornpipe on a Ground [1'22]
      • The Old Batchelor, Z607
      • 10 Suite. Movement 1: Overture [3'26]
      • 11 Suite. Movement 2: Hornpipe [0'56]
      • 12 Suite. Movement 3: Slow Air [1'17]
      • 13 Suite. Movement 4: Hornpipe [0'38]
      • 14 Suite. Movement 5: Rondeau [0'42]
      • 15 Suite. Movement 6: Minuet [0'55]
      • 16 Suite. Movement 7: Borry [0'32]
      • 17 Suite. Movement 8: March [0'55]
      • 18 Suite. Movement 9: Jig [0'39]
      • Amphitryon, or The Two Sosias, Z572
      • 19 Suite. Movement 1: Overture [3'34]
      • 20 Suite. Movement 2: Saraband [0'43]
      • 21 Suite. Movement 3: Hornpipe [1'03]
      • 22 Suite. Movement 4: Scotch Tune [0'54]
      • 23 Suite. Movement 5: Air [0'56]
      • 24 Suite. Movement 6: Minuet [0'52]
      • 25 Suite. Movement 7: Hornpipe [0'34]
      • 26 Suite. Movement 8: Borry, or Gavotte [0'50]
      • The Double Dealer, Z592
      • 27 Suite. Movement 1: Overture [3'35]
      • 28 Suite. Movement 2: Hornpipe [0'42]
      • 29 Suite. Movement 3: Minuet [0'53]
      • 30 Suite. Movement 4: Air [1'38]
      • 31 Suite. Movement 5: Hornpipe [0'42]
      • 32 Suite. Movement 6: Minuet. Slow Air [1'25]
      • 33 Suite. Movement 7: Minuet [0'41]
      • 34 Suite. Movement 8: Air [1'09]
      • 35 Suite. Movement 9: Air [0'55]
      • Distress'd Innocence, or The Princess of Persia, Z577
      • 36 Suite. Movement 1: Overture [2'05]
      • 37 Suite. Movement 2: Air [0'56]
      • 38 Suite. Movement 3: Slow Air [1'38]
      • 39 Suite. Movement 4: Air [0'58]
      • 40 Suite. Movement 5: Hornpipe, or Jig [0'39]
      • 41 Suite. Movement 6: Rondeau [1'35]
      • 42 Suite. Movement 7: Air [0'51]
      • 43 Suite. Movement 8: Minuet [0'56]
      • The Gordion Knot Unty'd, Z597
      • 44 Suite. Movement 1: Overture. Grave – Canzona [3'40]
      • 45 Suite. Movement 2: Air [0'41]
      • 46 Suite. Movement 3: Rondeau Minuet [2'03]
      • 47 Suite. Movement 4: Air [0'51]
      • 48 Suite. Movement 5: Jig 'Lilliburlero' [0'40]
      • 49 Suite. Movement 6: Chaconne [1'56]
      • 50 Suite. Movement 7: Air [0'40]
      • 51 Suite. Movement 8: Minuet [1'13]
      • Abdelazar, or The Moor's Revenge, Z570
       
      • CD3 1 Suite. Movement 1: Overture. Grave – Canzona [2'59]
      • 2 Suite. Movement 2: Rondeau. Hornpipe [1'33]
      • 3 Suite. Movement 3: Air [1'19]
      • 4 Suite. Movement 4: Air [1'17]
      • 5 Suite. Movement 5: Minuet [0'53]
      • 6 Suite. Movement 6: Air [1'12]
      • 7 Suite. Movement 7: Jig [0'34]
      • 8 Suite. Movement 8: Hornpipe [0'41]
      • 9 Suite. Movement 9: Air [1'36]
      • Bonduca, or The British Heroine, Z574
      • 10 Suite. Movement 1: Overture. Grave – Canzona [3'59]
      • Crispian Steele-Perkins (trumpet)
      • 11 Suite. Movement 2: Song Tune 'Britons, strike home' [1'37]
      • Crispian Steele-Perkins (trumpet)
      • 12 Suite. Movement 3: Song Tune 'To arms, to arms' [1'15]
      • Crispian Steele-Perkins (trumpet)
      • 13 Suite. Movement 4: Air [1'42]
      • Crispian Steele-Perkins (trumpet)
      • 14 Suite. Movement 5: Hornpipe [0'54]
      • Crispian Steele-Perkins (trumpet)
      • 15 Suite. Movement 6: Air [0'44]
      • Crispian Steele-Perkins (trumpet)
      • 16 Suite. Movement 7: Hornpipe [0'51]
      • Crispian Steele-Perkins (trumpet)
      • 17 Suite. Movement 8: Air [0'59]
      • Crispian Steele-Perkins (trumpet)
      • 18 Suite. Movement 9: Minuet [1'17]
      • Crispian Steele-Perkins (trumpet)
      • The Virtuous Wife, or Good luck at last, Z611
      • 19 Suite. Movement 1: Overture. Grave – Canzona [2'41]
      • 20 Suite. Movement 2: Song Tune 'Ah, how sweet it is to love' [2'39]
      • 21 Suite. Movement 3: Slow Air [1'40]
      • 22 Suite. Movement 4: Air [0'42]
      • 23 Suite. Movement 5: Preludio [1'34]
      • 24 Suite. Movement 6: Hornpipe [0'38]
      • 25 Suite. Movement 7: Minuet [1'01]
      • 26 Suite. Movement 8: Minuet [0'50]
      • 27 Suite. Movement 9: Air 'La Furstenburg' [1'01]
      • The Fairy Queen, Z629
      • 28 Act IV Sonata 'while the sun rises'. Movement 1: [Allegro] [1'06]
      • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
      • 29 Act IV Sonata 'while the sun rises'. Movement 2: Canzona [2'33]
      • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
      • 30 Act IV Sonata 'while the sun rises'. Movement 3: [Adagio] [1'41]
      • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
      • 31 Act IV Sonata 'while the sun rises'. Movement 4: [Allegro] – [Adagio] – [Allegro] [2'47]
      • Crispian Steele-Perkins (trumpet), Stephen Keavy (trumpet)
      • Dido and Aeneas, Z626
      • 32 No 1: Overture in G minor [3'09]
      • Sir Anthony Love, or The Rambling Lady, Z588
      • 33 No 1: Overture [3'45]
      • Timon of Athens, Z632
      • 34 Suite. Movement 1: Overture. Grave – Canzona – Adagio – Canzona [5'21]
      • Crispian Steele-Perkins (trumpet)
      • 35 Suite. Movement 2: Curtain Tune on a Ground [3'49]
      • Crispian Steele-Perkins (trumpet)
      • The Indian Queen, Z630
      • 36 Act III: Symphony [5'08]
      • Crispian Steele-Perkins (trumpet)
      {{soundFile=http://www.ccd.pl/sample/CDS44381/01.mp3,http://www.ccd.pl/sample/CDS44381/02.mp3,http://www.ccd.pl/sample/CDS44381/03.mp3,http://www.ccd.pl/sample/CDS44381/04.mp3,http://www.ccd.pl/sample/CDS44381/05.mp3&titles=1 Suite. Movement 1: Overture [3'58] ,2 Suite. Movement 2: Preludio [2'12] ,3 Suite. Movement 3: Song Tune 'Let the soldiers rejoice' [1'12] ,4 Suite. Movement 4: Trumpet Tune [0'55] ,5 Suite. Movement 5: Country Dance [1'28] }}
    • Assumpta est Maria
    • 14,00 
      • 1 Salve sancta parens [4'55]
      • 2 Benedicta et venerabilis [2'33]
      • 3 Felix es, sacra Virgo [1'36]
      • 4 Beata es, Virgo Maria [2'10]
      • 5 Beata viscera [1'48]
      • 6 Quem terra, pontus, aethera [4'30]
      • 7 Salve regina a 4 [4'23]
      • 8 O gloriosa Domina [3'41]
      • 9 Vultum tuum [6'16]
      • 10 Diffusa est gratia [7'10]
      • 11 Ave Maria [1'45]
      • Ecce virgo concipiet
      • 12 Complete: Ecce virgo concipiet – Alleluia [1'41]
      • 13 Memento, salutis auctor [3'05]
      • 14 Salve sola Dei genetrix [3'04]
      • 15 Ave maris stella [7'48]
      • 16 Gaudeamus omnes in Domino [5'23]
      • 17 Propter veritatem et mansuetudinem [4'05]
      • 18 Assumpta est Maria [1'31]
      • 19 Optimam partem elegit [1'57]
      {{soundFile=http://www.ccd.pl/sample/CDA67675/01.mp3,http://www.ccd.pl/sample/CDA67675/02.mp3,http://www.ccd.pl/sample/CDA67675/03.mp3,http://www.ccd.pl/sample/CDA67675/04.mp3,http://www.ccd.pl/sample/CDA67675/05.mp3&titles=1 Salve sancta parens [4'55],2 Benedicta et venerabilis [2'33] ,3 Felix es sacra Virgo [1'36],4 Beata es Virgo Maria [2'10],5 Beata viscera [1'48] }}
    • Davidis pugna et victoria
    • 14,00 
      • Davidis pugna et victoria
      • 1 Part 1 No 01: Sinfonia [3'07]
      • 2 Part 1 No 02. Recitative: Iochor sub aeria (Testo) [0'35]
      • Fredrik Akselberg (tenor)
      • 3 Part 1 No 03. Aria: Fata regum et sereno (Testo) [2'10]
      • Fredrik Akselberg (tenor)
      • 4 Part 1 No 04. Recitative: Horruit audita Saul (Testo) [0'32]
      • Fredrik Akselberg (tenor)
      • 5 Part 1 No 05. Concertino: Heu perii (Saul) [0'44]
      • Martin Oro (countertenor)
      • 6 Part 1 No 06. Recitative: Periere meae bona fata Sionis (Saul) [0'35]
      • Martin Oro (countertenor)
      • 7 Part 1 No 07. Aria: Quisquis alta per inane (Saul) [1'09]
      • Martin Oro (countertenor)
      • 8 Part 1 No 08. Recitative: Talia clamanti (Testo) [0'18]
      • Fredrik Akselberg (tenor)
      • 9 Part 1 No 09. Aria: Fugiat timor (Jonatha) [1'09]
      • Robin Johannsen (soprano)
      • 10 Part 1 No 10. Aria: Iam veni tu spes (Jonatha) [2'24]
      • Robin Johannsen (soprano)
      • 11 Part 1 No 11. Duet: Tuba, tuba (Saul/Jonatha) [0'43]
      • Martin Oro (countertenor), Robin Johannsen (soprano)
      • 12 Part 1 No 12. Aria: Mea fata, superbi, videte (Saul) [4'03]
      • Martin Oro (countertenor)
      • 13 Part 1 No 13. Duet: Tuba, tuba (Saul/Jonatha) [0'26]
      • Martin Oro (countertenor), Robin Johannsen (soprano)
      • 14 Part 1 No 14. Coro: Eamus, fugiamus (Israelites) [2'51]
      • 15 Part 1 No 15. Recitative: Quo fugitis mea turba? (David) [0'21]
      • Roberta Invernizzi (soprano)
      • 16 Part 1 No 16. Aria: Verte tela, verte faces (David) [2'13]
      • Roberta Invernizzi (soprano)
      • 17 Part 1 No 17. Recitative: Quis duce trepidante audet? (Saul/David) [0'32]
      • Martin Oro (countertenor), Roberta Invernizzi (soprano)
      • 18 Part 1 No 18. Duet: O Jonathae spes una David (Jonatha/David) [1'19]
      • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
      • 19 Part 1 No 19. Aria: Age tuba militaris (Jonatha/David) [3'33]
      • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
      • 20 Part 1 No 20. Coro: Vincemus, Io, vincemus (Israelites) [1'27]
      • 21 Part 1 No 21. Aria: In flore labente – Cum sole cadente (Jonatha/David) [4'00]
      • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
      • 22 Part 1 No 22. Duet: Sic et mortis orrore labente (Jonatha/David) [0'33]
      • Robin Johannsen (soprano), Roberta Invernizzi (soprano)
      • 23 Part 1 No 23. Coro: Vincemus, Io, vincemus (Israelites) [1'32]
      • 24 Part 2 No 01: Sinfonia [0'32]
      • 25 Part 2 No 02. Recitative: Evaginabo gladium meum (Golia) [0'37]
      • Antonio Abete (bass)
      • 26 Part 2 No 03. Recitative: Surgant, opitulentur tibi dii (David) [0'37]
      • Roberta Invernizzi (soprano)
      • 27 Part 2 No 04. Recitative: Surgam, et lacerabo te manibus meis (Golia) [0'50]
      • Antonio Abete (bass)
      • 28 Part 2 No 05. Aria: Non imbelli duello puelli (David) [1'20]
      • Roberta Invernizzi (soprano)
      • 29 Part 2 No 06. Aria: Saevo dente fremente leonem (Golia) [1'15]
      • Antonio Abete (bass)
      • 30 Part 2 No 07. Recitative: Cives, Io, date plausum (David) [2'05]
      • Roberta Invernizzi (soprano)
      • 31 Part 2 No 08. Aria: Philistaei, reboate (Golia) [2'10]
      • Antonio Abete (bass)
      • 32 Part 2 No 09. Aria & Coro: Ad arma (Golia/Philistines) [1'55]
      • Antonio Abete (bass)
      • 33 Part 2 No 10. Aria: Tu mihi superum aeterne rex (David) [5'41]
      • Roberta Invernizzi (soprano)
      • 34 Part 2 No 11. Recitative: Dixit, et excusso montano (Testo) [1'09]
      • Fredrik Akselberg (tenor)
      • 35 Part 2 No 12. Coro: Heu sodales – Victoria (Philistines/Israelites) [2'40]
      • 36 Part 2 No 13. Aria: Age terra fortunata (Israelite 1) [1'22]
      • Robin Johannsen (soprano)
      • 37 Part 2 No 14. Recitative: Victori redimite comas (Israelite 2) [0'19]
      • Martin Oro (countertenor)
      • 38 Part 2 No 15. Aria: Deque lauru (Israelite 2) [1'44]
      • Martin Oro (countertenor)
      • 39 Part 2 No 16. Aria: Scanda regna liberata (Israelite 2) [1'00]
      • Martin Oro (countertenor)
      • 40 Part 2 No 17. Aria: Quae gigante pugnante vidistis (David) [2'40]
      • Roberta Invernizzi (soprano)
      {{soundFile=http://www.ccd.pl/sample/CDA67714/01.mp3,http://www.ccd.pl/sample/CDA67714/02.mp3,http://www.ccd.pl/sample/CDA67714/03.mp3,http://www.ccd.pl/sample/CDA67714/04.mp3,http://www.ccd.pl/sample/CDA67714/05.mp3&titles=1 Part 1 No 01: Sinfonia [3'07] ,2 Part 1 No 02. Recitative: Iochor sub aeria (Testo) [0'35] ,3 Part 1 No 03. Aria: Fata regum et sereno (Testo) [2'10],4 Part 1 No 04. Recitative: Horruit audita Saul (Testo) [0'32] ,5 Part 1 No 05. Concertino: Heu perii (Saul) [0'44] }}
    • Angela Hewitt plays Handel and Haydn
    • 14,00 
      • 1 Chaconne in G major, HWV435 [7'28] George Frideric Handel (1685-1759)
      • Suite No 2 in F major, HWV427 George Frideric Handel (1685-1759)
      • 2 Movement 1: Adagio [3'08]
      • 3 Movement 2: Allegro [2'27]
      • 4 Movement 3: Adagio [2'15]
      • 5 Movement 4: Allegro. Fugue [2'16]
      • Suite No 8 in F minor, HWV433 George Frideric Handel (1685-1759)
      • 6 Movement 1: Prelude [2'40]
      • 7 Movement 2: Fugue [2'44]
      • 8 Movement 3: Allemande [2'56]
      • 9 Movement 4: Courante [2'01]
      • 10 Movement 5: Gigue [2'33]
      • 11 Sonata 'Un piccolo divertimento' 'Variations' in F minor, Hob XVII:6 [16'39]
      • Joseph Haydn (1732-1809)
      • Piano Sonata in E flat major, Hob XVI:52 Joseph Haydn (1732-1809)
      • 12 Movement 1: Allegro moderato [7'59]
      • 13 Movement 2: Adagio [6'22]
      • 14 Movement 3: Finale. Presto [5'52]
      {{soundFile=http://www.ccd.pl/sample/CDA67736/01.mp3,http://www.ccd.pl/sample/CDA67736/02.mp3,http://www.ccd.pl/sample/CDA67736/03.mp3,http://www.ccd.pl/sample/CDA67736/04.mp3,http://www.ccd.pl/sample/CDA67736/05.mp3&titles=1 Chaconne in G major HWV435 [7'28] ,2 Movement 1: Adagio [3'08] ,3 Movement 2: Allegro [2'27] ,4 Movement 3: Adagio [2'15] ,5 Movement 4: Allegro. Fugue [2'16] }}
    • Homerische symfonie and other orchestral works
    • 14,00 
      • Homerische symfonie
      • 1 Movement 1: Van de helden 'Of the heroes' [11'00]
      • 2 Movement 2: Herinneringen aan Patroklos' dood 'Memories of Patroklos's death' [11'47]
      • 3 Movement 3: Sirenengespeel en gezang 'Sirens playing and singing' [11'41]
      • 4 Movement 4: De genius van Hellas 'The genius of Hellas' [8'44]
      • 5 Morgenstemming 'Morning Mood' [12'42]
      • 6 Mythe der lente 'Myth of Spring' [10'47]
      {{soundFile=http://www.ccd.pl/sample/CDA67766/01.mp3,http://www.ccd.pl/sample/CDA67766/02.mp3,http://www.ccd.pl/sample/CDA67766/03.mp3,http://www.ccd.pl/sample/CDA67766/04.mp3,http://www.ccd.pl/sample/CDA67766/05.mp3&titles=1 Movement 1: Van de helden 'Of the heroes' [11'00] ,2 Movement 2: Herinneringen aan Patroklos' dood 'Memories of Patroklos's death' [11'47] ,3 Movement 3: Sirenengespeel en gezang 'Sirens playing and singing' [11'41] ,4 Movement 4: De genius van Hellas 'The genius of Hellas' [8'44],5 Morgenstemming 'Morning Mood' [12'42] ,6 Mythe der lente 'Myth of Spring' [10'47] }}
    • The Complete Viola Music, Vol. 2 Solo Sonatas
    • 14,00 
      • Sonata for solo viola, Op 11 No 5
      • 1 Movement 1: Lebhaft, aber nicht geeilt [2'45]
      • 2 Movement 2: Mässig schnell, mit viel Wärme vortragen [4'10]
      • 3 Movement 3: Scherzo. Schnell [2'55]
      • 4 Movement 4: In Form und Zeitmass einer Passacaglia. Das Thema sehr gehalten [8'47]
      • Sonata for solo viola, Op 25 No 1
      • 5 Movement 1: Breit Viertel [1'46]
      • 6 Movement 2: Sehr frisch und straff [1'32]
      • 7 Movement 3: Sehr langsam [5'40]
      • 8 Movement 4: Rasendes Zeitmass. Wild. Tonschönheit ist Nebensache [1'32]
      • 9 Movement 5: Langsam, mit viel Ausdruck [4'42]
      • Sonata for solo viola, Op 31 No 4
      • 10 Movement 1: Äusserst lebhaft [3'04]
      • 11 Movement 2: Lied. Ruhig, mit wenig Ausdruck. Langsame Viertel [3'29]
      • 12 Movement 3: Thema mit Variationen. Schnelle Viertel, ma maestoso [10'11]
      • Sonata for solo viola
      • 13 Movement 1: Lebhafte Halbe [3'34]
      • 14 Movement 2: Langsame Viertel – Lebhaft – Wieder wie früher [6'18]
      • 15 Movement 3: Mässig schnelle Viertel [3'31]
      {{soundFile=http://www.ccd.pl/sample/CDA67769/01.mp3,http://www.ccd.pl/sample/CDA67769/02.mp3,http://www.ccd.pl/sample/CDA67769/03.mp3,http://www.ccd.pl/sample/CDA67769/04.mp3,http://www.ccd.pl/sample/CDA67769/05.mp3&titles=1 Movement 1: Lebhaft aber nicht geeilt [2'45],2 Movement 2: Mässig schnell mit viel Wärme vortragen [4'10] ,3 Movement 3: Scherzo. Schnell [2'55] ,4 Movement 4: In Form und Zeitmass einer Passacaglia. Das Thema sehr gehalten [8'47],5 Movement 1: Breit Viertel [1'46] }}
    • Pushkin Romances
    • 14,00 
      • 1 Priznaniye 'Confession' Ya vas lyublyu, khot ya beshus 'I love you, though I must be mad' [0'51] Mikhail Glinka (1804-1857)
      • 2 Adel' Igray, Adel 'Play on, Adèle' [2'41] Mikhail Glinka (1804-1857)
      • 3 Ne poy, krasavitsa, pri mne 'Do not sing to me, fair maiden' [1'00] Mikhail Glinka (1804-1857)
      • 4 Ya pomnyu chudnoye mgnoven'ye 'I remember the wonderful moment' [3'14] Mikhail Glinka (1804-1857)
      • 5 Ya zdes, Inezilya 'Here I am, Iñesilla' [2'04] Mikhail Glinka (1804-1857)
      • 6 Redeyet oblakov letuchaya gryada 'A line of flying clouds', Op 42 No 3 [3'15] Nikolai Rimsky-Korsakov (1844-1908)
      • 7 Ne poy, krasavitsa, pri mne 'Do not sing to me, fair maiden', Op 51 No 2 [2'31] Nikolai Rimsky-Korsakov (1844-1908)
      • 8 Chto v imeni tebe moyem? 'What does my name mean to you?', Op 4 No 1 [1'36] Nikolai Rimsky-Korsakov (1844-1908)
      • 9 Na kholmakh Gruzii 'The hills of Georgia', Op 3 No 4 [1'43] Nikolai Rimsky-Korsakov (1844-1908) RussianEnglish
      • 10 Moy golos dlya tebya 'My voice, calling you', Op 7 No 1 [1'31] Nikolai Rimsky-Korsakov (1844-1908)
      • 11 Ekho, Op 45 No 1 Revyot li zver v lesu glukhom 'The cry of an animal in the forest depths' [1'33] Nikolai Rimsky-Korsakov (1844-1908)
      • 12 Tï i vï 'You and Thou', Op 27 No 3 Pustoye vï serdechnïm tï 'Instead of a formal you' [0'49] Nikolai Rimsky-Korsakov (1844-1908)
      • 7 Stikhotvoreniy Pushkina '7 Pushkin Poems', Op 29 Nikolai Medtner (1880-1951)
      • 13 No 1: Muza 'The muse' V mladenchestve moyom ona menya lyubila 'When I was a child she loved me' [3'06]
      • 14 No 6: Roza 'The rose' Gde nasha roza 'Where is our rose' [2'08] RussianEnglish
      • 6 Stikhotvoreniy A Pushkina '6 Pushkin Poems', Op 36 Nikolai Medtner (1880-1951)
      • 15 No 3: Lish' rozï uvyadayut 'When roses wither' [1'55]
      • 6 Stikhotvoreniy Pushkina '6 Pushkin Poems', Op 32 Nikolai Medtner (1880-1951)
      • 16 No 5: Vals 'The waltz' Mogu l zabït to sladkoye mgnovenye 'Could I ever forget that delightful moment' [2'55]
      • 17 Pevets 'The singer', Op 36 No 7 Slïkhali l vï za roshchey glas nochnoy 'Have you heard, beyond the grove at night' [2'26] Anton Rubinstein (1829-1894)
      • Soirées à St-Petersbourg, Op 44 Anton Rubinstein (1829-1894)
      • 18 No 1a: Noch' 'Night' Moy golos dlya tebya i laskovïy i tomnïy 'My voice, calling you with love and longing' [2'48]
      • 19 Pesn' Zemfirï 'Zemfira's song' Starïy muzh, groznïy muzh, rezh menya 'Old man, dreadful man, stab me' [2'10] Pyotr Tchaikovsky (1840-1893)
      • with Sergey Rybin (speaker)
      • Dvenadtsat romansov 'Twelve romances', Op 60 Pyotr Tchaikovsky (1840-1893)
      • 20 No 04: Solovey 'The nightingale' [2'56]
      • 21 Noch' 'Night' Moy golos dlya tebya i laskovïy i tomnïy 'My voice, calling you with love and longing' [4'25] Modest Musorgsky (1839-1881)
      • 22 Strekotun'ya beloboka 'The magpie' [2'08] Modest Musorgsky (1839-1881)
      • 23 K druz'yam 'To his friends' K chemu, vesyolïe druzya 'Why, my cheerful friends' [2'09] Aleksandr Dargomïzhsky (1813-1869)
      • 24 Yunosha i deva 'A girl and a boy' Yunoshu, gorku rïdaya 'A girl was sobbing bitterly' [1'02] Aleksandr Dargomïzhsky (1813-1869)
      • 4 Romances, Op 46 Dmitri Shostakovich (1906-1975)
      • 25 No 2: Yunoshu, gorku rïdaya 'A girl, sobbing bitterly' [1'31]
      • 26 Muza 'The muse', Op 34 No 1 V mladenchestve moyom ona menya lyubila 'When I was a child she loved me' [4'27] Sergei Rachmaninov (1873-1943)
      • 27 Ne poy, krasavitsa, pri mne 'Do not sing to me, fair maiden', Op 4 No 4 [4'36] Sergei Rachmaninov (1873-1943) RussianEnglish
      • 25 Poems by Pushkin, Op 57 César Cui (1835-1918)
      • 28 No 17: Tsarskoselskaya statuya 'The statue at Tsarskoye Selo' Urny s vodoy uroniv 'The girl has dropped the urn' [1'00]
      • 29 No 11: Tï i vï 'You and Thou' Pustoye vï serdechnïm tï 'Instead of a formal you' [0'53] RussianEnglish
      • 30 No 25: Zhelaniye 'Desire' Medlitelno vlekutsa dni moi 'My days pass by so slowly' [1'49] RussianEnglish
      • 31 Fontanu Bakhchisarayskovo dvortsa 'The fountain in the courtyard of Bakhchisaray' Fontan lyubvi, fontan zhivoy! 'Fountain of love, fountain of life!' [3'28] Vladimir Vlasov (1903-1986) RussianEnglish
      {{soundFile=http://www.ccd.pl/sample/CDA67773/01.mp3,http://www.ccd.pl/sample/CDA67773/02.mp3,http://www.ccd.pl/sample/CDA67773/03.mp3,http://www.ccd.pl/sample/CDA67773/04.mp3,http://www.ccd.pl/sample/CDA67773/05.mp3&titles=1 Priznaniye 'Confession' Ya vas lyublyu khot ya beshus 'I love you though I must be mad' [0'51] ,2 Adel' Igray Adel 'Play on Adèle' [2'41] ,3 Ne poy krasavitsa pri mne 'Do not sing to me fair maiden' [1'00],4 Ya pomnyu chudnoye mgnoven'ye 'I remember the wonderful moment' [3'14] ,5 Ya zdes Inezilya 'Here I am Iñesilla' [2'04] }}
    • Flying Horse, Music from the ML Lutebook
    • 14,00 
      • 1 The Battle Galliard [3'01] John Dowland (1563-1626)
      • 2 Mr Holborn's Last Will and Testament [4'40] Antony Holborne (c?1545-1602)
      • 3 Tom of Bedlam [2'09] Anonymous - Renaissance
      • 4 John come kiss me now [4'03] Anonymous - Renaissance
      • 5 A Pavin [6'56] Robert Johnson (c1583-1633)
      • 6 Corant [1'39] Anonymous - Renaissance
      • 7 Corant 'Le Testament' [3'16] Julien Perrichon (1566-c1600)
      • 8 The Battle [8'02] Anonymous - Renaissance
      • 9 A Pavin [6'19] Robert Johnson (c1583-1633)
      • 10 A Gallyard by Mr Dan Bacheler [1'40] Daniel Bacheler (1572-1619)
      • 11 A Gallyard upon the Gallyard before [2'01] John Dowland (1563-1626)
      • 12 Corant [1'42] Anonymous - Renaissance
      • 13 Corant 'de la Durette' [1'16] Anonymous - Renaissance
      • 14 La Courante Sarabande [2'00] Robert Ballard (c1575-after 1649)
      • 15 Corant [1'31] Anonymous - Renaissance
      • 16 A Volte [1'12] Mercure d'Orléans (fl c1590-c1619)
      • 17 A Volte [1'09] John Sturt (d1625)
      • 18 A Pavin [4'46] Robert Johnson (c1583-1633)
      • 19 Allmayne 'The Prince's Almain' [1'08] Robert Johnson (c1583-1633)
      • 20 The Noble Man [1'58] Robert Johnson (c1583-1633)
      • 21 Allmayne 'Hit it and take it' [1'29] Robert Johnson (c1583-1633)
      • 22 Allmayne and Corant [3'04] Anonymous - Renaissance
      • 23 Gray's Inn Maske [1'21] Anonymous - Renaissance
      • 24 The Flying Horse [3'47] Anonymous - Renaissance
      {{soundFile=http://www.ccd.pl/sample/CDA67776/01.mp3,http://www.ccd.pl/sample/CDA67776/02.mp3,http://www.ccd.pl/sample/CDA67776/03.mp3,http://www.ccd.pl/sample/CDA67776/04.mp3,http://www.ccd.pl/sample/CDA67776/05.mp3&titles=1 The Battle Galliard [3'01] John Dowland (1563-1626),2 Mr Holborn's Last Will and Testament [4'40] ,3 Tom of Bedlam [2'09] Anonymous – Renaissance,4 John come kiss me now [4'03] Anonymous – Renaissance,5 A Pavin [6'56] Robert Johnson (c1583-1633) }}
    • Choral music
    • 14,00 
      • Suite de Lorca
      • 1 Movement 1: Canción de jinete Córdoba [1'02]
      • 2 Movement 2: El grito La elipse de un grito [1'50]
      • 3 Movement 3: La luna asoma Cuando sale la luna [1'46]
      • 4 Movement 4: Malagueña La muerte [1'17]
      • Canción de nuestro tiempo
      • 5 Movement 1: Fragmentos de agonía Con la rueda, el aceite, el cuero y el martillo [4'20]
      • 6 Movement 2: Meditación primera y última El Tiempo [4'21]
      • 7 Movement 3: Ciudad sin sueño No duerme nadie por el cielo. Nadie, nadie [6'47]
      • 8 Canticum Mariae virginis Ave maris stella [7'58]
      • Magnificat
      • 9 Movement 1: Magnificat [4'41]
      • 10 Movement 2: Quia respexit – Et misericordia [4'19]
      • 11 Movement 3: Fecit potentiam [1'25]
      • 12 Movement 4: Suscepit Israel [2'12]
      • 13 Movement 5: Gloria [4'59]
      • 14 Our joyful'st feast When icicles hang by the wall [4'41]
      • Halavan himmeän alla 'In the shade of the willow'
      • 15 Movement 1: Ikävyys 'Melancholy' Mi hämäryys, mikävyys 'What gloominess, what misery' [4'22]
      • 16 Movement 2: Laulu oravasta 'Song of the squirrel' Makeasti oravainen 'Slumber sweetly, little squirrel' [3'04]
      • 17 Movement 3: Sydämeni laulu 'Song of my heart' Tuonen lehto, öinen lehto! 'Grove of Tuoni, grove nocturnal!' [3'56]
      • 18 Die erste Elegie Wer, wenn ich schriee, hörte mich denn aus der Engel [9'08]
      {{soundFile=http://www.ccd.pl/sample/CDA67787/01.mp3,http://www.ccd.pl/sample/CDA67787/02.mp3,http://www.ccd.pl/sample/CDA67787/03.mp3,http://www.ccd.pl/sample/CDA67787/04.mp3,http://www.ccd.pl/sample/CDA67787/05.mp3&titles=1 Movement 1: Canción de jinete Córdoba,2 Movement 2: El grito La elipse de un grito, 3 Movement 3: La luna asoma Cuando sale la luna, 4 Movement 4: Malagueña La muerte , 5 Movement 1: Fragmentos de agonía Con la rueda el aceite el cuero y el martillo }}